A Quote by Charlotte Bronte

A new chapter in a novel is something like a new scene in a play. — © Charlotte Bronte
A new chapter in a novel is something like a new scene in a play.
You may be sick of what you did the first half of your life, but you don't just have to walk around and play golf or do nothing... It's not like fifty is the new thirty. It's like fifty is the new chapter.
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
You may be sick of what you did the first half of your life, but you don't have to just walk around and play golf or doing nothing. It's not like fifty is the new thirty. It's like fifty is the new chapter.
But you grow more knowledgeable during the time you play in the Premier League. Every new manager, new chapter, has been a learning curve.
I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.
Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
We need new voices, new people, new activists and new ideologies in the piracy scene.
If my setting is new to a reader, or the concerns of the novel are new, I hope they will learn something about the world. I would like to say that they can trust that what they do learn in the novel will be accurate, because I pay a lot of attention to facts. I do a lot of research to make sure that I'm not giving them, you know, blue moons of Jupiter. It's not science fiction.
Whenever I write a novel, I have a strong sense that I am doing something I was unable to do before. With each new work, I move up a step and discover something new inside me.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.
It looks like the age of the mass is behind us and the age of the individual is upon us. The chasm that now exists between new people and old organizations is destroying economic value and inhibiting the emergence of a new chapter of capitalism aligned with the needs of this new society. The new purpose of commerce is to provide the tools, platforms, and relationships, digital or human, that enable individuals to live the lives they choose.
I'm sensitive about the criticism [for not producing new playwrights], yes. But I'm hip to it as well. I read 500 new plays a year, and 99.99 percent of them are not good. I see no reason to do a new play just because it's new. It's like kissing your sister, a virtue, but so what? It seems to me more worthwhile to take a proven playwright and say, Write something for us.
I'm always looking for something new: a new inspiration, a new philosophy, a new way to look at something, new talent.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
The album feels like a new era for me -- emotionally, lyrically, sonically. It feels fresh, it feels new. It's still me. It's still stuff that fans know and love but it's a new chapter 100 percent.
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