A Quote by Charlotte Caffey

We had that horrible experience with 'Behind the Music' where they just made it all salacious. That's not about the band - that's a soap opera. If you're together with a spouse or a partner for 40 years, you're going to have arguments. But if you're with four other people, you're going have exponentially that many more things happen.
I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
Films are tricky because for years you're getting told you're about to make it and you're about to be busy for four or six months or you're about to be on tour for press. But these things tend not to happen, and meanwhile you've said 'no' to many things 'cause you thought you were going to be busy, for years, for years this happens.
Misery loves company. This is a Hollywood soap opera, and I'm not going to be a star in another Bryant soap opera.
My mom was on a soap opera for 40 years, so I know about love and romance.
Coming from a family where the parents had been together for 40 years, you never imagine that divorce is going to happen to you.
So many times, these kids know more about the technology than their parents. And so many times, we're putting kids in very adult situations and expecting them to behave like they're 40 years old. Well, that's just not going to happen.
Years ago, there was one Asian person in a soap and the entire Asian acting community was going for that role. Now, you can find a few different Asian people, and their character isn't entirely based on their religion or culture: they just happen to be in a soap.
What people don't realize is that I've been trying to get to Bethlehem since I was four years old. By that, I mean I've been trying to attain perfection since I was kid. And it took me more than 40 years to learn that it wasn't going to happen.
So when people say how horrible it is that Donald Trump is president, well, yeah, but we've faced a lot worse than this and our country went on to go from the world of 'Mad Men' to the world it is today, and that's what's going to happen now. That's what's going to happen in the next 50 years. We're going to be fine.
That's the other thing that you find most often with women. They're not really concerned about what's happened over the last four years. They really want to know what's going to happen in the next four years.
When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!
One of the more depressing things about reading your fiction 25 years later, or 10 years later, is you realize the only things going on are things you made go on. Strange and interesting and new and wonderful things don't happen. It's the book you wrote; that's all.
There are people who haven't faced the reality of what has gone on in Iraq. They still think that the old central state is going to be put back together again. It's not going to happen in Kurdistan. It's not going to happen in the south. It's not going to happen in Baghdad.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
We found ourselves becoming more serious about playing music than our friends were - or just more committed and had more meaningful connections. I realized then that I would probably be playing in bands for the rest of my life; that that's what made me happy. Even though it's awesome that people are paying attention - buying records or selling shows out - I never have that conscious thought about, "this is going to be the band that will tour the world."
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