A Quote by Charlotte Caffey

We were naive in a lot of ways, but that was part of the charm. We were very young. — © Charlotte Caffey
We were naive in a lot of ways, but that was part of the charm. We were very young.
When we overthrew Mubarak, we did this in 18 days. And because we were very naive and very unexperienced in revolutions, we thought that that was it. It is very difficult to imagine that you can actually get rid of a dictatorship that has been there for 60 years only in 18 days. So we were very naive.
A lot of my family members were performers, and my cousins are comedians and actresses. From a very young age, movies were really important. They were given a lot of value.
The 70s were a wonderful time to be young. I think most young people at that time were pushing the boundaries, asking all sorts of questions of society, of life and of themselves. They were very politicised. It was part of the air that we breathed.
I think one of the ways that these young singers got started is that they would end up in clubs. And a lot of them were mafia owned. And so there was almost an unspoken kind of mafia sponsorship, which is just a very interesting part of that area's music history.
When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
We were so young when we started, quite naive and shy - we kind of knew what we were doing but didn't because we hadn't been stage schooled.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
In many ways we were drugged when we were young. We were brought up to need people. For what? For acceptance, approval, appreciation, applause.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
They were so ignorant, so naive, so resigned to their lot. They refused to believe anything that didn't fit in with what they were used to believing.
I suppose you always look back at how easier things were being young. There's always a shame that you're not as naive as you were.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
He and Reagan were not at all alike, because Reagan is an optimist and Dick Nixon wasn't. Yet in some ways they were alike. Neither really liked to talk on the telephone, for instance. And, in a lot of respects, both of them were very much loners.
Back in the day, the album was king in many ways. And, of course, we were very tied in with the birth of FM/college radio in the States, and what we were doing suited the format of those young radio stations.
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