A Quote by Charlotte Caffey

When you're on stage and you got a great audience, that makes the show that much better for the band. — © Charlotte Caffey
When you're on stage and you got a great audience, that makes the show that much better for the band.
For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
I have a great band from Jersey and New York. I say that because they got great attitude, and we have a great time on stage.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
On stage, you've got dialogue you've learned. You've got a paying audience. It couldn't be better, you know?
I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.
It's so much better for me to do a talk show. You still have that energy of the audience, and the audience is just as important as that guest that's sitting next to me. It's not about me and that guest exchanging energy and talking. It's about everything that's going on in that room, and they're as much a part of the show as anything. I like this better than anything I've ever done.
Watch 'Fear the Walking Dead,' because we'd love your support, but I think 'The 100' is such a great show; it was a great show before I got there. It's only getting better, and I'm so lucky I got to be a part of it.
I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
It's important me as a musician and also as an occasional show goer to feel the presence of a band on stage, to hear a PA reverberating and slapping off the walls, the push and pull of an audience, the blood, sweat, and heat. It's a primal thing in a way.
When you get into the habit of leaving a space, you become a much better player for it. If you've got an expressive style, and can express your emotions through your guitar, and you've got a great tone, it creates a lot of tension for the audience. It's all down to the feel thing.
I once got my stiletto caught in my horse's tail on stage and went flying into the audience. It was a mental gig, so I think the crowd thought it was part of the show.
It's nice to have a band that can adapt to whatever show we're in, so we can play on a big stage or a house show.
When you have four guys in a room writing songs, it different. It's great - that's what makes a band a band. Audioslave was great.
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