A Quote by Charlotte Charke

The least glimmering or shade of acting, in man or woman, is a sure motive of envy in the rest; and, if their malice can't persuade the town's-people into a dislike of their performance, they'll cruelly endeavor to taint their characters.
Hackberry Holland's greatest fear was his fellow man's propensity to act collectively, in militaristic lockstep, under the banner of God and country. Mobs did not rush across town to do good deeds, and in Hackberry's view, there was no more odious taint on any social or political endeavor than universal approval.
Grief and disappointment give rise to anger, anger to envy, envy to malice, and malice to grief again, till the whole circle be completed.
Envy has been, is, and shall be, the destruction of many. What is there, that Envy hath not defamed, or Malice left undefiled? Truly, no good thing.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
Envy, envy eats them alive. If you had money, they’d envy you that. But since you don’t, they envy you for having such a good, bright, loving daughter. They envy you for just being a happy man. They envy you for not envying them. One of the greatest sorrows of human existence is that some people aren’t happy merely to be alive but find their happiness only in the misery of others.
To claim "humanitarian motives" when the motive is envy and its supposed appeasement, is a favorite rhetorical device of politicians today, and has been for at least a hundred and fifty years.
Hatred is active, and envy passive dislike; there is but one step from envy to hate.
Cast out envy; you can have all that you want, and you need not envy any man what he has. Above all things, see to it that you do not hold malice or enmity toward any one; to do so cuts you off from the mind whose treasures you seek to make your own. Lay aside all narrow personal ambition and determine to seek the highest good.
There are varying degrees of shade. There is funny shade, warning shade, tea shade, and mean girl shade.
Any team that has Shade as their leader is bound to have a pretty directionless quality. But when Cyborg asks Shade to gather the Secret Seven together and help him stop the war between Wonder Woman and Aquaman, Shade agrees - albeit reluctantly.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
It's fine to have talent, but talent is the last of it. In an acting career, as in an acting performance, you've got to have vitality. The secret of successful acting is identical with a woman's beauty secret: joy in living.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
There are people who do everything for a calculative political motive. My only motive is a human motive.
For a man to be a man, did he have to be a soldier, or at least prepare himself for war? For a woman to be a woman, did she have to be a mother, or at least prepare herself to raise children? Soldiers and mothers were the sacrificial couple, honored by statues in the park, lauded for their willingness to give their lives to others.
Emulation is active virtue; envy is brooding malice.
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