A Quote by Charlotte Dujardin

It is probably like an artist. They see in their head what they want to draw, and they draw it. It is like I have a feeling inside me that I want to create on a horse, and that is what I do.
If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
I no longer enjoy drawing people's pets. I just want to draw what I want to draw and have people not tell me what to draw.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coats. So that's what I write about.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
I think my most famous was 'Poco's Legend.' It's a white album with a simple line drawing of a horse. It almost has a Picasso feel to it. I remember that Rusty Young, the lead singer of the band, said, 'I want you to draw a horse for the song 'Legend,' which is about a phantom spirit horse. I want you to do it in several lines.'
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
Works of art are like a Trojan horse. Under the surface is always some artist's deeply held philosophy on their view of the world. But on the other hand, you do not want to make it feel like medicine. You do not want to make it feel like an afternoon TV special where you're trying to hammer a message into someone's head.
I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
Rather than deliberately trying to draw something, use something you yourself like and want to draw, and I think the characters that come out of that will really have their own individuality.
My horse needs to be quiet enough not to draw my attention. You want your horse always aware of you. Be aware of your horse! Fidgeting? Direct that! Think of it as a gift. Do something with that energy; redirect it or it will be a negative. Don't let your horse check-out. A horse wants peace. Trade movement for peace.
I am a one-trick pony. If you tell most people to draw a picture of a tree, they'd draw 35 branches and 10,000 leaves. I will draw you a tree with four branches and three leaves, and I'll spend the rest of the week drawing inside of each leaf. In terms of the grand gesture, I reserve that maximum turbo blast energy for what I do as an artist, and I sing and dance for dinner.
If I do need to make money suddenly, I prefer to just draw something I want to draw and have someone else sell it for me on the Internet.
Draw nigh to God, and He will draw nigh to you. Keep near to the fountain-head and with joy shall ye draw water out of the wells of salvation.
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