A Quote by Charlotte Gainsbourg
I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward.
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I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
I'm a grafter, I like working, but like for The Curious Case of Benjamin Button, the film company only paid me for the shooting schedule, which was supposed to last six months. But it lasted 11 months and you don't get paid for extra shooting.
I have the strangest time to get cast in anything. 'Ghost' was the same thing. Six months I had to wait for them to decide they had seen everybody possible. Why not? What limits me? I'm black? Oh, am I black?
I think I could probably make $5 to $10m movies for a very long time and live a perfectly good life doing it. I'd probably get paid as well as a surgeon, which is pretty damn remarkable for a guy who went to film school.
The world is in the condition it is in because of you, and the choices you have made - or failed to make. (Not to decide is to decide.) The Earth is in the shape it's in because of you, and the choices you have made - or failed to make. Your own life is the way it is because of you, and the choices you have made - or failed to make.
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
I can make it very clear: I get paid if we make good investments. And if we don't, I don't get paid. I have no incentive to sell our companies to Google; the entrepreneurs get to decide that. We are minority shareholders.
I meet all these American filmmakers that film for months and months, and it's a mystery to me. I couldn't make a film like that. I have to be very clear in what I'm doing and where it's going, and be very disciplined about what I film.
I mean, being a stuntwoman never occurred to me until I gave up gymnastics and started doing martial arts and met people that were stunt people. I was like, 'What? Wait. You get to fight and flip and get paid?' I was like, 'Mum, dad, check this out - I could do this stuff and get paid instead of having you guys pay for me to do it.'
I understood that there would be some backlash, and that scared me, honestly. But deep down, I felt like it was the right thing to do. And if I was to run away from what I felt in my soul was the right thing to do, that would make me a coward. I can’t live with that. God wouldn’t be able to put me where I am today, and as far as I’ve come in life, if I was a coward.
From an early age, I was trying to get laughs, but it wasn't a conscious thing. I think I was about six months old when I first realized I needed friends in life and making people laugh worked for me. By nine months, I came out of my shell.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
I do what most women do. I meet someone and some of it's right, maybe he looks right, or has the right job, or the right background, and, instead of sitting back and waiting for him to reveal his other bits, I make them up. I decide how he thinks, how he's going to treat me, and, sure enough, every time I conclude that this time he's definitely my perfect man, and all of a sudden, well, not so suddenly perhaps, usually around six months after we've split up, I see that he wasn't the person I thought he was at all.
As an actor you make choices that are either right or wrong, and you find the ones that are right for you. As an understudy, the choices have been made, so you have to make those choices right. Going into the role, you can't really question it.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
I didn't decide to become a musician until the age of 15, which is quite late.
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