A lot of biopics to me feel very much like someone is standing in front of the camera and is reading a Wikipedia page to you, like someone is reciting event. Did you know this happened? Did you know that happened? But Alan Turing's life deserved a sort of passionate film, and an exciting film.
I really do feel like the work and time we spend avoiding having difficult conversations is so much more wasteful and painful and time-consuming than actually having the difficult conversation.
I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words.
It's very difficult to have a conversation about yourself when you're the granddaughter of Audrey Hepburn, as it was difficult for me to have a conversation about something without, 'What was she like? What was she really like?'
Are we, like, having a conversation?" "Did you just, like, ask me for advice and listen with an open mind? If so, then yes, I would call this a conversation
It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.
Nobody likes paying tolls. It's difficult to explain the concept of dynamic tolling, where the price varies to maintain the flow of traffic. And it's difficult to explain why highway widenings don't wind up helping commuters in the long run.
I believe that having conversations about difficult things is a part of a process and that it should happen. You don't avoid it because it's difficult. And you're not dividing more by having a respectful conversation.
Having been an oncologist and having cared for scores, if not hundreds, of dying patients, when you don't have a treatment that can shrink the tumor and the patient will die, it's a very difficult conversation. It's emotionally draining.
I did photography in summer camp; I did it in high school. The only hard decision I've had to make was whether to go towards photo or film. And I ultimately realized that the type of photo I was interested in was actually photojournalism. And it's a very individualist career, whereas film is a very team-driven medium. So that's why I chose film.
It would be very difficult to explain why the universe should have begun in just this way, except as the act of a God who intended to create beings like us.
I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?
Anyt hing that is found to stimulate hope should be seized upon and make to serve. This applies to a book, a film, a broadcast, or a conversation with someone who can impart it.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
What was love, really? Flowers, chocolate, and poetry? Or was it something else? Was it being able to finish someone's jokes? Was it having absolute faith that someone was there at your back? Was it knowing someone so well that they instantly understood why you did the things you did—and shared those same beliefs?
I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.