A Quote by Charlotte Moss
Have you ever noticed how some rooms exude a certain energy, warmth, and a harmony of spirit? If you have, then you have experienced the language of the home. A language softly spoken, and univerally understood.
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The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Living like that utterly convinced me of the extreme limitations of language. I was just a chlld then,so I have only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity
If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community - then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
In some countries, of course, Spanish is the language spoken in public. But for many American children whose families speak Spanish at home, it becomes a private language. They use it to keep the English-speaking world at bay.
Put a symbol, or language of some sort, in a painting and it will be noticed by the viewer whether or not they can read that particular language.
In animation, what's wonderful is that when you start to work with multiple nationalities, the common language becomes a visual language rather than a spoken language, which blends beautifully with the art form.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
Spoken language clearly differentiates Homo sapiens from all other creatures. None but humankind produces a complex spoken language, a medium for communication and a medium for introspective reflection.
Politicians are very experienced - maybe too experienced - at using body language to signal power and competence. But what these politicians are much more likely to struggle with, or just neglect to do altogether, is communicate warmth and trustworthiness.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
I want to find a language that transforms language itself into steel for the spirit--a language to use against these sparkling insects, these jets.
Language is decanted and shared. If only one person is left alive speaking a language - the case with some American Indian languages - the language is dead. Language takes two and their multiples.
Language [can] be expressed . . . by movements of the hands and face just as well as by the small, sound-generating movements of the throat and mouth. Then the first criterion for language that I had learned as a student—it is spoken and heard—was wrong; and, more important, language did not depend on our ability to speak and hear but must be a more abstract capacity of the brain. It was the brain that had language, and if that capacity was blocked in one channel, it would emerge through another.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
So the language of musical harmony is an absolutely extraordinary one. It's a way of navigating one's emotional frameworks, but without the need to put things into words, and I think that, as with many other languages, it doesn't matter how much you know about a language.
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