A Quote by Charlotte Moss
People's live are expressed in little details....The soap in the bathroom, the flowers in the garden, the books on the bedside table are all strong symbols of a life in progress. You look at these details and a world unfolds - here are their books, the paintings they cherish, the music that soothes their souls.
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One of the maddening ironies of writing books is that it leaves so little time for reading others'. My bedside is piled with books, but it's duty reading: books for book research, books for review. The ones I pine for are off on a shelf downstairs.
Whatever I do, whether it's cooking shows, books or events, the details count and that's what sets me apart from other food TV personalities. If you take out the details what's left?
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
I've always loved flowers, as a little girl I'd collect flower objects and little flower books. Now I love flowers on my night table and on my desk.
Books, books, books in all their aspects, in form and spirit, their physical selves and what reading releases from their hieroglyphic pages, in their sight and smell, in their touch and feel to the questing hand, and in the intellectual music which they sing to the thoughtful brain and loving heart, books are to me the best of all symbols, the realest of all reality.
There are details within details within details to anchor you in the fact that we are talking about the real world, not an illustrated children's book fantasy world.
And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says Private - grownups keep out: a children sprawled on the bed, reading.
In my contact with people, I find that, as a rule, it is only the little, narrow people who live for themselves, who never read good books, who do not travel, who never open up their souls in a way to permit them to come into contact with other souls – with the great outside world.
I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
With a few flowers in my garden, half a dozen pictures and some books, I live without envy.
Do you lend books and DVDs to people? If so, don't you always regret it? All my life I have forced books on to people who have subsequently forgotten all about it. Meanwhile, on my shelves sit many orphaned books loaned to me over the years by trusting, innocent souls - some as long ago as the Seventies.
I always have several books on the go at any one moment, so it's no good you asking 'What's on the bedside table at the moment, Emma?' because often I can't even see the table!
There are little details in everything you do, and if you get away from any one of the little details, you're not teaching the thing as a whole. For it is little things which, together, make the whole. This, I think, is extremely important.
People think children's books are about teddy bears and little flowers. I realize people sometimes don't know what to do with my books because they say, 'Is it a children's book, and what age group?'
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