A Quote by Charlotte Perkins Gilman

I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store. — © Charlotte Perkins Gilman
I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.
If you do something really cognitively demanding, like buying furniture, it turns out buying furniture is one of the most difficult things we do. Go into a furniture store and look at a sofa.
I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
To a child, often the box a toy came in is more appealing than the toy itself.
The whole business was like a child's toy that you could buy at the dime store, all built in this wonderful way that you could explain in Life magazine so that really a five-year-old can understand what's going on...This was the greatest surprise for everyone.
If I had more time, I could've utilized the stage more and turned it into my own but since I used all my energy writing and producing songs, my mind was blank when it came to my performances. That's what I regret the most.
Taking a child to the toy store is the nearest thing to a death wish parents can have.
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
If I'm going to invest the time in a novel, I want something more than the entertainment you get out of most genre fiction.
If Im going to invest the time in a novel, I want something more than the entertainment you get out of most genre fiction.
The distributor used to get 10, 12, 14 percent in most cases, but the App Store or Steam - they're taking 30 points. So clearly, they're viewing what they bring to the table in the digital environment to be more valuable than distribution.
We lie more to strangers than we lie to co-workers. Extroverts lie more than introverts. Men lie eight times more about themselves than they do other people. Women lie more to protect other people.
There is nothing sadder in this world than to awake Christmas morning and not be a child. ... Time, self-pity, apathy, bitterness, and exhaustion can take the Christmas out of the child, but you cannot take the child out of Christmas.
There's more movies now than ever, and competition for the entertainment dollar. These movies aren't recouping the way they used to. These little producers used to make something for a million, and get on a roll. One would finance the next. They crap out eventually, but then they go start a new company. But these guys just aren't getting to first base.
If I could get every single cancer genome sequence that has been sequenced; if I could ever put it in one repository, we have the capacity to do a million billion calculations per second. We'll be able to find out more in 10 minutes more than it would take 10 Nobel laureates 10 years to find out about the patterns of cancer and the cures for cancer.
Having bought furniture for my own house, and bought furniture for our house in Washington, a furniture store seemed like a good idea, and it also played into my personal history.
When I was a child, I used to go wandering - disused railway-lines, old barns, dry-stone walls, strangely Pre-Raphaelite copses - it's much more fun to wander than to be guided, and you could do it in those days with freedom and without paranoia. In similar fashion, I try to allow the reader room to wander, even to meander, to almost lose themselves and their grip of the narrative.
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