A Quote by Charlotte Rae

I was doing a lot of drama until I took the comedy role in the series 'Car 54, Where Are You?,' and I've been tagged as a comedian ever since. — © Charlotte Rae
I was doing a lot of drama until I took the comedy role in the series 'Car 54, Where Are You?,' and I've been tagged as a comedian ever since.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
I became a dancer in self-defense. I was doing a comedy monologue and didn't know how else to get off, so I danced off. I've been dancing ever since, but I'm still a comedian.
I've been doing a lot of drama, but I feel like comedy is my strength.
Comedy is more difficult. You can look at scenes when you're doing a drama like, ?Maybe it works,? but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.
Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.
Comedy is commitment and playing a character and falling into the role, and I've been doing that since I was 19 years old.
My life plan was to get into drama school and become an actor, but it took me three years. I applied while I was still at school in my final year, and I didn't get in anywhere, so I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.
Doing a lot of drama earlier in my career and now exploring comedy has been a treat for me, and I've had an absolute blast, and I hope to continue.
Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies.
Taking a role in a drama series takes a lot of energy, as new episode must be made every week.
I have always been doing sketch comedy since I was a kid because one of my mom's boyfriends was an improv comedy guy so were doing skits all the time growing up.
I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!
I'd been doing comedy up that point and hadn't really done a lot of drama, and then all of a sudden he casts me as a 400-year-old vampire from hell. It was, like, "What?!"
Ever since I've jumped in a Legends or Dwarf car, I've always tried to win. I've been able to win in every race car I've ever driven.
Ever since 'Hail to the King,' we've been more cognizant of our chord progressions, our key changes, drama in songs, a lot of dynamics - we've really added a lot of that in there.
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