A Quote by Charlotte Rampling
I am fascinated by the whole process of what it's like to be alive, whether it's unbelievably uncomfortable and horrible or whether it's quite nice
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I am fascinated by the whole process of what it's like to be alive, whether it's unbelievably uncomfortable and horrible or whether it's quite nice.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
BY YOUR RESPONSE TO DANGER IT IS
EASY TO TELL HOW YOU HAVE LIVED
AND WHAT HAS BEEN DONE TO YOU.
YOU SHOW WHETHER YOU WANT TO STAY ALIVE,
WHETHER YOU THINK YOU DESERVE TO,
AND WHETHER YOU BELIEVE
IT'S ANY GOOD TO ACT.
All has gone to rest, and I don't know whether I'm alive or will live or whether I'm rushing like this through the world for I'm not longer weeping or laughing
I'm quite tactful, actually. I worry about whether people are all right. With my friends, obviously, conversations are quite free and uncensored, but I would never enjoy making someone feel uncomfortable at all.
The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
I feel like as a whole, when it comes to the "other" in the US - whatever that looks like for each individual person, whether it be someone who's LGBTQ or someone of color or someone who's just a religion that they've never heard of - whether you're in entertainment or whether you're in any other business, we're not as evolved as we'd like to think.
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
I am somewhat uncertain whether there is a definite factual question as to whether natural language handles truth-value gaps. Nor am I even quite sure that there is a definite question of fact as to whether natural language should be evaluated by the minimal fixed point or another, given the choice of a scheme for handling gaps. We are not at the moment searching for the correct scheme.
We didn't want it to end up in discussions where we would talk about whether this song needed to be more metal, whether I needed to scream more in that song or whether I shouldn't sing quite as much in those songs because metalheads wouldn't like that.
It doesn't matter where I am, what I do, whether I'm in the sauna, whether I'm on the beach, whether I'm with my girl at the spa - man's never hot. It's that simple.
Things like Kitchen Cabinet, I'm not sure they necessarily tell the Australian people whether you have judgement, whether you have discernment, whether you have intellectual acuity, whether you are able to develop policy, whether you are able to represent individual cases to the highest levels of government successfully and in a manner that actually achieves outcomes.
One of the goals of analysis is you become your own analyst. You continue the process even if you're not in therapy, whether you continue the process by walking down the street thinking about things or whether you continue the process, as I do, by writing about them.
Assess and then decide whether women who are in active politics and public life, like men, whether in this process they may not lose their importance and role as mothers, daughter, and sisters.
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