A Quote by Charlotte Rampling
You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.
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If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
My mind doesn't work, my memories don't work like a computer file where I can just retrieve them and, boy, there it is. My mind is selective in terms of memories. When I try to think back to college or high school, there are gaps. I try to fill them in. But I can't tell you it's always the truth.
Memories are killing. So you must not think of certain things, of those that are dear to you, or rather you must think of them, for if you don’t there is the danger of finding them, in your mind, little by little.
I don't think the job of the antiracist is to convert the far-out heathen racist, or give them their 'come to Jesus' moment, as it's called. They'll either have those or they won't, and usually, when they have them, it's not because of something someone said per se; it's because of some life crisis that makes them rethink.
Some memories remain close; you can shut your eyes and find yourself back in them. But there are second-person memories, too, distant you memories, and these are trickier: you watch yourself in disbelief.
Some memories come with a very compelling sense of truth about them. And that happens to be the case even with memories that are not true.
I was looking for Quincy Jones, that's who I was obsessed with. Watching Mike [Jackson], I always knew that I had to be a showman on stage, because when people come to you live you always want them to come back. You gotta give them something to remember.
In our memories, there is a graveyard where we bury our dead. They all lie there together, the loved ones and the ones we hated, friends and foes and kin, with no distinction among them. We have to mourn every one of them, because our memories have made them as much a part of us as our bones or our skin. If we don't, we've no right to remember anything at all.
Doubting what you see is a very odd experience. And doubting what you remember is a little less odd than doubting what you see. But it's also a pretty odd experience, because some memories come with a very compelling sense of truth about them, and that happens to be the case even for memories that are not true.
There are moments when I wish I could roll back the clock and take all the sadness away, but I have a feeling that if I did, the joy would be gone as well. So I take the memories as they come, accepting them all, letting them guide me whenever I can.
Some people have a phobia of midgets. They're, like, scared of them. I have the opposite - I see them, and I want to hold them down, cuddle them, be like, 'Come here, you little nugget. Who's your mommy now?' So cute!
It's the best deal of, of this whole thing is it turns out I've got this nice home office. And at the end of the day, yeah, I can come home, even if I've got more work to do, I can have dinner with them. I can help them with their homework. I can tuck them in. If I've gotta go back to the office, I can.
It makes me angry sometimes, it's a visceral thing--how you come to despise your own words in your ears not because they aren't genuine, but because they are; because you've said them so many times, your 'principles,' your 'ideals'--and so damned little in the world has changed because of them.
The memories which come to us through music are not accompanied by any regrets; for a moment music gives us back the pleasures it retraces, and we feel them again rather than recollect them.
I think uncertainty is good for things. Certainty breeds complacency and complacency means that you just sit somewhere in your nice little comfortable suburban house in Michigan, looking at CNN and saying, "Oh, those poor immigrant children that are all coming across the border. But we really can't have them here - that isn't what God wants. Let's send them all back to the drug cartels." There's a complacency to it.
I always see nice images like that but I don't know what to do with them. I guess you share them with someone. Or you write them down in a poem. I had so many of those little images, but I never shared them or wrote any of them down.
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