A Quote by Charlotte Rampling

When a subject pops into a director's head, you either fit in there somewhere, or you don't. An actor is only who he is. Especially as you get older, there's not as much of a range of potentially feasible parts.
You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.
The instant field of the present is at all times what I call the 'pure' experience. It is only virtually or potentially either object or subject as yet.
instead i head to the computer and it's like i turn into a little girl who's just seen her first rainbow. i get all giddy and nervous and hopeful and despairing and i tell myself not to look obsessively at my buddy list, but it might as well be projected onto the insides of my eyelids. at 8:05 his name pops up, and i start to count. i only get to twelve before his IM pops up.
It's cool because, as you get older, you get offered older parts. You're older, so you can't play 10 anymore. That was always very exciting for me.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I am a director's actor. It is a director's medium, definitely. That doesn't mean I stop using my head.
You don't realize it till you get older as an actor, but all the parts you've gotten have led you up to today - good, bad, and otherwise.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
Anything feasible and potentially effective should be explored.
I don't feel much pressure to fit in. I never have. I've always just wanted to do my thing. I have really good friends and good family, and if I don't fit in somewhere else, I fit in at home.
I guess I'm lucky that I've been able to play a wide range of parts and a wide range of types of productions - I haven't felt much typecasting.
As an actor, most of the time, you only have so much say in how, what and where things go. As a director, you really get to paint a bigger picture. You have many more brushes to use.
My philosophy is that to be a director you cannot be subject to anyone, even the head of the studio. I threatened to quit each time I didn't get my way, but no one ever let me walk out.
It's either good, bad or somewhere in between. It's either ying, yang or it's a combination. You're either male, female or somewhere in between. You've got to be somewhere on the map.
When you get confidence from your director, as an actor, it is all a matter of how your director says, 'This is how much I can get out of you.'
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