A Quote by Charlotte Ritchie
It's always incredible though when you feel like the writer knows the character intimately and can see their life sprawling away outside of the show.
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I would say a lot of people think I'm too serious at times, but actually I feel like I'm the opposite away from the camera and everything. I feel like I have a good time, but you rarely see pictures of me in the garage with a smile on my face, even though I am happy. I guess I just don't always show it.
When I was younger, I felt it essential to see every movie ever made. Now I feel as though I've got to read every book, see every art show, watch every play and opera and concert and so on. It does not end, and of course there is truth in the old cliche that the more one knows, the more one realizes one knows nothing at all.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
The WRITER of memoir gets incoming weirdness in very odd ways. I was recently talking to a memoir writer whose work just went meteoric - but some of the comments and communications and gestures she gets in the wake of that success are stunningly and atrociously over-personal, as if suddenly people feel like they know her and her life intimately, and have permission to transgress all her "life" boundaries.
I was on 'That '70s Show' as the sexy nurse. I like that show, but I hated my character. I was like, 'I will never do anything like this again in my life. I feel crazy.'
I feel like reading really defined me as a writer because I lived my life outside of my own body for so much of my life and I loved it. I've always been a reader. I think living all those stories served me to naturally take that next step to creating.
[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
It's one of the things that weirdly I always used to like about my job: that expressing the emotions of a writer or someone creative and breathing empathy and life into a character people can then identify with, that they'd feel less alone.
For some reason, that I can’t really explain, at the beginning of Radiolab, it always felt like life or death. Even though it was just a radio show. Even though no one was listening. And I am not quite sure why… but it may have to do with that radical uncertainty you feel when you are trying to work without a template.
It is necessary a writing critic should understand how to write. And though every writer is not bound to show himself in the capacity of critic, every writing critic is bound to show himself capable of being a writer; for if he be apparently impotent in this latter kind, he is to be denied all title or character in the other.
Swimming outside the pool is scary. I don't like not knowing what's underneath me - it's quite dark in lakes. I swam in the sea in Australia around the Great Barrier Reef, though, and that was incredible because you could see exactly what was underneath you.
When I look around, I see so many incredible Black performers, inside and outside of our company. It feels like a really great time for Black wrestlers, and there are so many Black wrestling fans that I feel are starting to see themselves on screen.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.
After I play every character, I always walk away and feel a little different. I've experienced something that's not my life, but I've made it my life.
As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
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