A Quote by Charlotte Tilbury

The light, colors, and energy of Ibiza are constant sources of inspirations for my work. I always leave Ibiza recharged and full of ideas for new shades, looks, and products.
It's great to be part of the whole Ibiza Rocks vibe. Ibiza's always had a big gap when it comes to bands with guitars so it's great to be included really.
I've got a lot of girl mates. Especially when you come to Ibiza and you're an Ibiza DJ, everyone comes out and they want to see you.
When I was working for Radio 1 in Ibiza I stayed in a horrible place with a tiny window and really noisy air conditioning - the last thing you need in Ibiza, where you're often a little bit the worse for wear at the end of the night.
Saint Tropez and Ibiza were the true essences of early New Romantics.
How we understand our own selves and how we work with our DNA software has implications that will affect everything from vaccine development to new approaches to antibiotics, new sources of food, new sources of chemicals, even potentially new sources of energy.
The new Squarepusher album as well, although it is proper headf*** industrial. Not one for a pool party in Ibiza!
I've remixed lots of other people's songs, from Adele to Electric Light Orchestra to Beyonce, so when my record label said, 'Why don't you give 'Ibiza' to someone to remix?' I said, 'Sure,' because I like the idea of people reimagining art and making something new out of it.
The best parties have always been at my house in Ibiza. They start with a bit of music and a barbecue by the pool.
When I was younger, we went to Ibiza a lot because my parents bought an apartment there. I feel like that has always stuck with me.
I'm such a product junkie - I love trying new products and new shades. For me, it's really exciting to see what new and wonderful products come onto the market.
I think there's definitely a dance album or at least single in me somewhere. I would want to work with a really cool Ibiza DJ, though.
I never take drugs. I took ecstasy when I was in Ibiza once, but it didn't work for me. I think I was already on ecstasy when I was born.
I guess I will always be known as a designer who references Ibiza, even though I've only been to the island a couple of times in my early twenties.
Ibiza is very close to my heart.
I always wanted to do music but never really had the confidence to do it until my first manager George Lamb, who I met out in Ibiza, encouraged me.
With 'Defenders,' we had some very barebones ideas, but the bulk of it came together very quickly over in Ibiza. The main thing I like about that record, looking back on it now, is the change in the texture of the production from 'Screaming For Vengeance.'
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