A Quote by Charlotte Tilbury
I discovered makeup when I was 13, and it changed my life. I started wearing mascara, and overnight, people reacted to me in a very different way - I was more popular and I felt more confident.
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I prefer wearing no makeup anyway, because I like the contrast when you go out at night and you look different. I actually feel more confident with less makeup than I do with makeup on.
When I was about 12 and first started wearing lipstick, my dad would ask, 'Are you wearing makeup?' I would say back, 'You're wearing more makeup there than I am!'
When I was about 12 and first started wearing lipstick, my dad would ask, 'Are you wearing makeup?' I would say back, 'You're wearing more makeup there than I am!
We have a snap of my dad wearing blue eye shadow, which I would always make fun of. When I was about 12 and first started wearing lipstick, my dad would ask, 'Are you wearing makeup?' I would say back, 'You're wearing more makeup there than I am!'
We were discovered by Don Fury; he was the first record producer who discovered us and essentially plucked us out of the rough. But I think in another way, we were discovered when we discovered each other, right before we started high school. We were 12 and 13. I don't want to speak for Justin Beck, but that's a big moment, linking up with your foil for the first time. Glassjaw definitely changed my life in the biggest way possible.
I started out with makeup in 1963, 1964. And in 1965, I was coming out more, and I was still wearing makeup, but I was still going to jail just for wearing makeup.
Ever since I was a kid, I had the urge of expressing myself in any way. Like many kids, you want try on different clothes, different looks. I was kinda punky for a while: I had makeup under my eyes. Then I started wearing more baggy stuff.
Whenever you're going through stuff, it definitely reflects in the way you wear your makeup and hair. Wearing less makeup is more comfortable for me.
My mom actually arranged for all my friends and I to have a makeup tutorial when we first started wearing makeup. That way, we learned how not to do our makeup.
When I started singing about my life and what I was going through, I felt more confident. It was my own life, I was being myself, I was telling people what was happening.
My makeup routine is a small amount of base, a mascara, nude eye shadow, and a lip balm or a gloss. When I go out at night, I wear a blusher and tons and tons of mascara - very easy, very fresh, very light. I can't sit around doing my own makeup all day - I wish I could.
I remember putting mascara on when I was 13 for the first time and going to the shop to buy a chocolate bar. I felt so exposed. I remember wearing a bra for the first time and feeling very exposed by that.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
I wore makeup when I was at school, and I wore makeup when glam started. I started wearing it again when punk started. I've always been drawn to wearing it. It's partly ritualistic, partly theatrical and partly just because I think I look better with it on.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I was approached by the filmmakers. I didn't know much about the project ["Selling Isobel"], and the more we talked, the more they started to confide in me. I read the script and thought it was really interesting, and then a week later I discovered that this wasn't just any old script, this was actually Frida's [Farell] story and she was trusting me to tell it. I felt very privileged.
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