A Quote by Charlton Heston

It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first. — © Charlton Heston
It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first.
Hope is not a matter of waiting for things outside of us to get better. It is about getting better inside about what is going on outside.
Be at least as interested in what goes on inside you as what happens outside. If you get the inside right, the outside will fall into place.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
I expect to beat everybody I play. It's kind of that quiet confidence that I have inside that I try to present to the opponent without getting too overboard. Because there are times when I seem composed, but inside I'm losing my mind.
But its jobs, jobs that pubs create and help sustain, thats massive. My pub alone, we get so many different bar staff, especially the young coming in, getting a start in life, learning to talk to people. And thats just inside the trade, theres outside... window cleaners, tradesmen.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
What comes from outside, one mistakes it as coming from inside. So many thoughts etc. move about outside in the universal - these manifest inside you. All these you must push away as foreign to you and the inside must be made peaceful, calm and quiet; then it will start descending from above.
I love being my age. I love getting older. What you lose in looks, you gain in wisdom. I might not be as physically beautiful on the outside today, but I'm much more beautiful on the inside. True beauty comes from inside.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
I'm very interested in getting inside the heads of people society discards, people on the fringe, especially immigrant kids. We dismiss them without getting into details of who they are.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
Failure is an inside job. So is success. If you want to achieve, you have to win the war in your thinking first. You can't let the failure outside you get inside you.
There's a lot of romanticisation of the intuitive actor and method acting and all kinds of notions about getting inside a character and coming out from there.
Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
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