A Quote by Chase Jarvis

I don’t create art to get high dollar projects, I do high dollar projects so I can create more art. — © Chase Jarvis
I don’t create art to get high dollar projects, I do high dollar projects so I can create more art.
My experience says that if you put out a lot of personal work that's good, it tends to attract high dollar commercial work. But to be clear - I don't create art to get high dollar projects, I do high dollar projects so I can create more art.
I think it's very important for any actor to eventually produce, and create the projects they want to create. I believe it's all a part of the same art form, which is storytelling.
As long as the dollar remains in high esteem as a trade currency, America can continue to spend more than it earns. But when the day arrives - as it certainly must - when the dollar tumbles and foreigners no longer want it, the free ride will be over.
Often, when art from the canon is brought in to fine art classes, it is used as a prop to inspire art-making projects but more rarely as something to study in-depth for itself.
I'm a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects I don't do because I feel that it's going to create a bad vibe. I don't do propaganda films that are anti another religion, anti-Muslim or anti-Hindu.
Before I was a musician, I drew. The housing projects in Brooklyn weren't much of a canvas, people didn't know that I had it in me - but I actually went to an art and design high school.
The projects that I've been fortunate enough to do are all projects where I followed my heart. I didn't follow the money or the names. It's all about reflecting my life and my art.
So every dollar of income that I have that is potentially taxed away is a dollar I can't put in my company to create a job. My entire company is around job creation.
The value of a dollar is to buy just things; a dollar goes on increasing in value with all the genius and all the virtue of the world. A dollar in a university is worth more than a dollar in a jail; in a temperate, schooled, law-abiding community than in some sink of crime, where dice, knives, and arsenic are in constant play.
If a woman earned a dollar by scrubbing, her husband had a right to take the dollar and go and get drunk with it and beat her afterwards. It was his dollar.
The good news is that a competitive dollar in the global market and a strong dollar at home are compatible in both the long run and during the transition to a more competitive dollar.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
I learned to focus my energy on high-quality, long-term projects rather than lower-quality projects with quicker payoffs.
Don't worry that you can't seem to come up with sure billion dollar winners at first. Just do projects for yourself for fun. You'll get better and better.
I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
There's not much high and low culture any more: there's just mingling streams of art and what matters is whether it's good art or bad art.
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