A Quote by Chath Piersath
I have some advantages of viewing from the two lenses, the two perspectives. I think that a lot of visual artists who come back here from the United States and are Cambodian also write from their American references - looking inside the old culture, and looking at themselves as an American looking into the country where they were born.
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We are ramping up security in the United States but also looking at visa applicants, visa waiver applicants - and looking at travel manifests on the airplanes trying to come into the United States.
People don't realize that almost two-thirds of the population in the United States lives in a state where either medical or recreational marijuana are now legal. Two-thirds of the country. I am looking at it as kind of a 10th Amendment, states'-rights issue.
I'm not sure that the American people are looking for a lot of speeches. I think what they're looking for is action. But one of the things that I do think is important is to be able to explain to the American people what you're doing, and why you're doing it. That is something that I think every great president has been able to do. From FDR to Lincoln to John Kennedy to Eisenhower.
I've gone across that border many times. My son was born in the United States; he is also a Mexican-American with the two passports.
I'm always looking for work. There are only two states of being an actor, so if I'm not working, I'm looking for employment.
I don't want to rescind American directors but I think that European directors in general, because of the size of the nations in Europe are exposed to all different cultures, they can easily travel from one distinct culture to another in a matter of hours - you can drive for two weeks across the United States and you're in the same basic culture - so there is a certain breadth of understanding and sophistication that they bring to it and frankly, in some cases they are less expensive than American directors.
You're looking for something, I don't know what I'm looking for, but I'm looking. Writing is a lot about that. When you write a poem. When you write a novel.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes--McCarthy and Stalin--that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I think what - I think what the American people is looking for is they are looking for moral and intellectual courage and clarity, and not a sense of passivity or confusion.
Immigrants who voluntarily come to a country have already made a decision to assimilate to one degree or another. Probably not completely, but they've committed to the place, and they know that they need to make certain kinds of concessions. They change themselves in some way to fit in. They're looking forward as much as they're still looking backward.
Well, as a former small businessperson - I understand what's going on, I think in the business community. And businesspeople around the country are looking at all the spending and all the debt. They're looking at all the policies coming out of this Congress and this administration the last two years, and they - it's created all this uncertainty.
I part of this great nation because my grandfather was born here, in Cincinnati, Ohio. He took a horse, back in 1895, and ride it all the way down to Guanajuato, looking for his American dream. No penny in his pocket, only dreams in his head. And he was an immigrant coming from the States into Mexico. And he found his American dream in Mexico.
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