A Quote by Chath Piersath
I think that there are certain feelings and things you can convey in a simple form that people can see and understand.
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When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.
Art is the ability to communicate through an intermediary and to convey one's feelings through an isolated object. It's inspiration and incubation. Putting my subjective feelings into an objective form and then on to you for a subjective interpretation.
I start crying when certain things come up, certain memories, certain feelings, and it's intense. But I think it's good for me - and therapeutic.
I don't think they understand it's as important as math and science. It rounds you out as a person. I think it gives you a love of certain things. You don't have to become the next great composer. It's just nice to have heard certain things or to have seen certain things. It's part of being a human being.
I think that there's certain music that instead of saying a lot of different things that are on my psyche, I just say, 'I've aged out.' Because that is the best way of putting it, because a lot of things I simply don't understand and will not understand and can't see any intrinsic value in.
A sermon is a form that yields a certain kind of meaning in the same way that, say, a sonnet is a form that deals with a certain kind of meaning that has to do with putting things in relation to each other, allowing for the fact of complexity reversal, such things. Sermons are, at their best, excursions into difficulty that are addressed to people who come there in order to hear that.
Part of the problem with the word 'disabilities' is that it immediately suggests an inability to see or hear or walk or do other things that many of us take for granted. But what of people who can't feel? Or talk about their feelings? Or manage their feelings in constructive ways? What of people who aren't able to form close and strong relationships? And people who cannot find fulfillment in their lives, or those who have lost hope, who live in disappointment and bitterness and find in life no joy, no love? These, it seems to me, are the real disabilities.
It caused more problems as a young kid, because the simple process of perceiving words on a piece of paper was hard for me. Many people think dyslexic people see things backwards. They don't see things backwards.
You can teach people specific reasoning, such as how to fly a kite or build a wheel. General reasoning cannot be imparted upon people, particularly if they like things the way they are - meaning, if their reactions are very simple. The reason most people behave badly or poorly is because they only understand simple things.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
To me, words convey feelings, and feelings are just vibrations that we feel, so words are never as authentic as what feelings are and what intentions are.
I see the joy in life and I see the joy in simple things. I over-compliment. I over-praise. I over-express my feelings toward people because I never got it in my family. I am the first to hug somebody, because I wasn't hugged.
I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.
Ballet is like football. I don't understand a footballer's technique but I can see when he's playing brilliantly. People don't like ballet because they think they don't understand it. Actually they do. It's the most primitive form of appeal.
I'm interested in taboos for certain reasons. They can dramatise things and they're scary, and they're important to think about. I'm also wary about the fact that if you don't proceed with caution and understand what you're doing, you understand these things are realities that you're dealing with, they're real things.
People strive to achieve a certain form of perfection constantly and it's impossible because it's a form of opinion. I can think someone is pretty but the person next to me can think that they're unattractive.
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