A Quote by Chath Piersath
It's like you're organically developing yourself, moving out, metamorphosing into other forms depending on where you are, what you're doing at the time, how you want to play on things.
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It seemed like the right time. You reach a point when you say to yourself, ‘Do I want to keep doing this?’ There are other things on my plate I want to do — I’ve been writing a play, I’ve been neglecting my standup.
The clothing is moving, the external version is moving. Whether the internal version is moving or not it is a different matter. It is good to practice Ayurveda, it is good to worship the Gods and Goddesses, it is good to do bhajans. Of course, depending on what your own personal development is, that will determine how, in what way and how well you will be able to connect to that tradition and bring it to life inside yourself.
I have a unique workout schedule. I concentrate on balancing with my core and my legs. Then, like any other surfer, I try to read the ocean. It's always changing and moving - doing its own thing - so you need to learn how it works and how to position yourself.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
You reach a point when you say to yourself, 'Do I want to keep doing this?' There are other things on my plate I want to do - I've been writing a play; I've been neglecting my standup.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
Songwriting never feels like it's me doing anything consciously except for becoming aware somehow that it's time to let something out, or let something in, depending on how you look at it.
My hobbies are linked to the way I want to play soccer. I want to do different action things, like kite surfing, snowboarding, mountain biking, freeriding with skis. I like these sports in my free time and it could be a big link with how I want to play soccer.
In a typical 401k plan, when you first become eligible you get a big pile of forms and you're told, fill out these forms if you want to join. Tell us how much amount you've saved and how you want to invest the money. In, under automatic enrollment you get that same pile of forms but the top page says, if you don't fill out these forms, we're going to enroll you anyway and we're going to enroll you at this saving rate and in these investments.
Go a little easier on yourself, and in so doing, be prepared to make and do things that might seem silly at first. Just keep moving: don't ruminate and stare at the wall. Don't just play with your phone: go out and produce something.
All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.
I just want to play like Jimi Hendrix. I love other forms of music and wish I could play classical piano, or saxophone like John Coltrane, but that will never happen. Because my nature is to play electric guitar really well and to emulate my heroes from the late 1960s.
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
There's a difference in how I feel when I'm travelling and when I'm sitting still. I've been doing it for such a long time it has become a part of my life. It gets a bit hectic depending on where I am, you know, like there's different parts of the world that's more stimulating than other parts.
Doing a show eight times a week is kind of like doing yoga or tai chi. A vinyasa is the same every single time you do it, but depending on how you're feeling, it tells you a lot about what's happening in your life.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
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