A Quote by Chauncey Depew

A witty illustration or an apt story will accomplish more than columns of argument. — © Chauncey Depew
A witty illustration or an apt story will accomplish more than columns of argument.
The humorous story is American, the comic story is English, the witty story is French. The humorous story depends for its effect upon the manner of the telling;the comic and the witty story upon the matter.
Comics are not illustration, any more than fiction is copywriting. Illustration is essentially the application of artistic technique or style to suit a commercial or ancillary purpose; not that cartooning can't be this (see any restaurant giveaway comic book or superhero media property as an example), but comics written and produced by a cartoonist sitting alone by him- or herself are not illustrations. They don't illustrate anything at all, they literally tell a story.
The gospel is not just the illustration (even the best illustration) of an idea. It is the story of actions by which the human situation is irreversibly changed.
Who is apt, on occasion, to assign a multitude of reasons when one will do? This is a sure sign of weakness in argument.
The psychic entropy peculiar to the human condition involves seeing more to do than one can actually accomplish and feeling able to accomplish more than what conditions allow.
The argument for collectivism is simple if false; it is an immediate emotional argument. The argument for individualism is subtle and sophisticated; it is an indirect rational argument. And the emotional faculties are more highly developed in most men than the rational, paradoxically or especially even in those who regard themselves as intellectuals.
Not to make him blush, but any story illustrated by Mike Mignola does things that prose alone can't accomplish. The illustrations create mood and atmosphere, drawing the reader more deeply into the story than words could do on their own.
Not to make him blush, but any story illustrated by Mike Mignola does things that prose alone cant accomplish. The illustrations create mood and atmosphere, drawing the reader more deeply into the story than words could do on their own.
If you think your belief is based upon reason, you will support it by argument rather than by persecution, and will abandon it if the argument goes against you. But if your belief is based upon faith, you will realize that argument is useless, and will therefore resort to force either in the form of persecution or by stunting or distorting the minds of the young in what is called 'education.'
History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn’t quaint. Much of it, in fact, is bleak.
Judges ought to be more leaned than witty, more reverent than plausible, and more advised than confident. Above all things, integrity is their portion and proper virtue.
Judges ought to be more learned, than witty, more reverend, than plausible, and more advised, than confident. Above all things, integrity is their portion and proper virtue.
The more successful I get, the more I am reminded that in the minds of a great many people I will never be anything more than my body. No matter what I accomplish, I will be fat, first and foremost.
If you and I are not having a dialogue, when you're having an argument, the reason the argument happen is because we are not listening to each other. Then, the argument comes in, but if we truly listen instead of hearing, argument will not happen. Then, we'll empathize, and then once the empathy kicks in, you will be much more inclining with my viewpoint and I'll be inclining with your viewpoint, and that's what is missing in organizations.
The more accurately you can think about who you are, what you want to accomplish and how to accomplish it, the more successful you will be.
Every work of history is a combination of argument and narrative. The longer I write, the more I emphasize the narrative, the story, and the less attention I give to the argument. Arguments come and go.
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