A Quote by Chavela Vargas

Frida Kahlo taught me a lot without ever bragging about anything. — © Chavela Vargas
Frida Kahlo taught me a lot without ever bragging about anything.
I love Frida Kahlo.
The art of Frida Kahlo is a ribbon around a bomb.
There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
I've made a point throughout my girls' lives of reading them bedtime stories about strong, innovating women, whether it's Oprah Winfrey or Frida Kahlo.
One of the things that helps me tell a story through music is to create a character. I have to have a muse, whether it's Frida Kahlo, Martha Graham, Marlene Dietrich, or Pippi Longstocking.
The significant element that is common to Rivera, Siqueros, Picasso, Pollock, Van Gogh and Frida Kahlo is the expression of pain.
Having a child doesn't make a woman a mother any more than owning a paintbrush makes her Frida Kahlo.
Women who stay true to themselves are always more interesting and beautiful to me: women like Frida Kahlo, Georgia O'Keeffe and Anna Magnani - women who have style, chic, allure and elegance. They didn't submit to any standard of beauty - they defined it.
I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.
I grew up in Brooklyn, and my parents were Holocaust survivors, so they never taught me anything about nature, but they taught me a lot about gratitude.
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."
A person can learn a lot from a dog, even a loopy one like ours. Marley taught me about living each day with unbridled exuberance and joy, about seizing the moment and following your heart. He taught me to appreciate the simple things-a walk in the woods, a fresh snowfall, a nap in a shaft of winter sunlight. And as he grew old and achy, he taught me about optimism in the face of adversity. Mostly, he taught me about friendship and selflessness and, above all else, unwavering loyalty.
Bob Rock taught me a lot. His friendship has taught me a lot about what you should expect from a recording session and, more importantly, how you shouldn't expect anything less than absolute joyousness. You should feel great. You should feel 14 to be doing it. It's true and it's rare.
I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.
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