A Quote by Chaz Bundick
Identity politics are becoming less important since culture's being blended into one big thing - I look at kids' Tumblrs and they're all into the same things.
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Kids are starting to dress the same, listen to the same music. I look at their Tumblrs and they're all into the same things.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
Now I've come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable. There's no such thing as "fixed" culture. China is also becoming more global. Its problems are becoming international problems, becoming German problems, becoming American problems. Nothing is clear-cut. Perhaps I'll find my way - or get totally lost.
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
What the left ends up missing is that politics have always been at the heart of American culture; it's been a white identity that's been rendered invisible and neutral because it's seen as objective and universal. As a result, we don't pay attention to how whiteness is one among many racial identities, and that identity politics have been here since the get-go.
I've fondly dreamed of becoming the face of an important brand since I was a child, in the same way that others dream of becoming an astronaut. I dreamed of this as I first and foremost dreamed of becoming an actor and would look up at these huge posters of celebrities while driving along motorways or crossing under bridges.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
The big problem is just this kind of gigantic piece, of kids reading less and liking it less and so getting worse at it. It's kind of this terrible spiral: Since they're not so good at it they do less of it, get worse at it, do less of it. And it's really what I discovered five, six years ago when I started the 'Guys Read' thing.
You hear a lot of scientists say the same thing. It doesn't have to be a big thing because the thing about being a scientist is even the little things are big things to us.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
Optimism and happiness are not the same thing, but they are becoming interchangeable, and it seemed to me that Voltaire's Candide gave me a way into something important happening in modern-day culture.
The "female culture" has shifted more rapidly than the "male culture"; the image of the go-get 'em woman has yet to be fully matched by the image of the let's take-care-of-the-kids- together man. More important, over the last thirty years, men's underlying feelings about taking responsibility at home have changed much less than women's feelings have changed about forging some kind of identity at work.
I have definitely had a big impactful change since 2010, and it's rough to look in the mirror, but it's such an important thing to do that.
I'm not a big fan of identity politics and sort of picking one thing and defining yourself with it.
More so than any other city on the African continent, the people of Cairo look like the American Negroes in the sense that we have all complexions, we range in America from the darkest black to the lightest light, and here in Cairo it is the same thing; throughout Egypt, it is the same thing. All of the complexions are blended together here in a truly harmonious society.
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