A Quote by Chazz Palminteri

I had a 90-minute one-man show. I performed it and my life just exploded. Everything - my life just changed. Every writer, director, producer, studio head, movie star - they all wanted it. It was the hottest property since 'Rocky.'
I had wanted to be a movie star and had thought I would be a movie star since I was very little. It was just something I saw in my future. But somehow when it happened, I wasn't ready for it.
One thing about being a stand-up is it's a one-man show. You gotta do everything. You're the producer, writer, director, and the actor. You just gotta be out there and perform and give your all. It's such an honest form of art that it just taught me so much, and it kind of prepared me for manhood at an early age.
With Halloween, the director was this genius wonder boy who was the writer, director, producer, along with his girlfriend. They were this team, and they were making this small movie, and it was just completely different, but it was really inspiring and a lot of fun, and also allowed me to do a lot of improvisation, because they just depended on the girls to expand their parts to bring some real life, being girls ourselves, to the characters.
If a movie doesn't even have financing yet, they'll do a table read for it at a casting director's office with actors, for the producer and the writer, just to hear if the movie is working.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
My mom's a children's television writer, so I was involved and around from a very young age. When I was eight, I did my first film with Rachel Ward and Bryan Brown, who are a quite well-respected Australian producer-director duo, and that just changed my whole perspective on what I could do in life and be.
There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
We are all the writer-director-star-producer of our own life. We see life through our own eyes.
The thing was, if I had a bad game, I was 'the Man United reject.' If I had a good game, it was 'Man United star on loan.' And I just thought, 'I don't need that anymore.' One minute, I was hero; the next minute, I was zero. I just didn't need it. I'd rather just play football.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
My lifestyle, my life, everything has changed because of this show. Has it made me look different? Yes, it's changed everything for me, everything from this show. And I cannot thank every single part of 'Sons of Anarchy' enough.
Returning to writing fiction after 13 years away from it. Returning to the rootstock of my whole life as a writer. It's what I had wanted to be for my entire life, since I can remember, since my particular time immemorial. It's how I got my start as a writer.
I'm not only a writer, but have directed and produced, know the difficulties of the line producer, can deal with the studio, can talk with the director and get his or her vision and help exact that. I think it just gives you more tools.
I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
These days, everyone is a writer, producer and movie star. You post something on the web, get enough hits, and suddenly you have TV show.
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