I'll only work on TV shows that have a 'Sookie' on them! Those are the only shows that will cast me. And I've never even met a Sookie in my life. Sookie on 'Gilmore Girls' was played by Melissa McCarthy. And Sookie, played by Anna Paquin, is number one on the call sheet on 'True Blood.' Somebody should write another script with a Sookie in it.
Sookie, what have we done? And to whom?" "I killed a chicken. And I cooked it." "Sookie, Sookie. My bullshit meter is reading that as a false." -Eric Northman, Sookie Stackhouse
On 'True Blood,' the character's name is Sookie Stackhouse, and my name is Suki Waterhouse. So, I get people saying, 'Oh, I thought we were meeting the girl from True Blood.'
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
Sookie is always in distress, it wouldn't be 'True Blood' if someone wasn't trying to kill her.
In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.
He pulled my coat off my shoulders, looked at it with distaste, hung it on the back of one of the chairs pushed in under the kitchen table. "You are beautiful". No one had ever looked me in the eyes and said that. Eric to Sookie, Page 208.
Actually, the zapping light was kinda like Sookie’s fairy-light-thing. Do you think there’s any chance I’m a fairy?” “No, Z. Focus. True Blood is fiction. This is the real world.
It is definitely a hard show [True Blood] to jump into the middle of, but luckily we have things like HBO Go now. It's not like you've missed it and now you're stuck. And I think once guys give it a shot - and you'll be able to speak to this better than I will - there's a lot of stuff that can be interesting to guys. There's a lot of action. Plenty of people are getting their heads chopped off.
I don't really read any comics, but when I got casted on the show, I starting reading 'The Walking Dead' comics. I felt like I needed a better idea of the character.
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.
In novels you're able to occupy character's internal thoughts and it's really hard to do in a film or a TV show. When you're reading a character's thoughts or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me that's what the whole point of fiction is.
I worked with HBO on 'Recount,' and we had a wonderful experience together. I'm such a fan of HBO and how much flexibility they give in character as well as schedule.
My art career actually began under the kitchen table. My mother wanted to get me out of her hair while she cooked, so she laid out some paper and pencils on the floor under the kitchen table.
It was a strange season coaching under that new [Alderson] regime. I felt like I was watching the deterioration of the Mets organization. They seemed to have no identity. My concern was that the character of the players they were looking for superseded the talent they brought to the table. Character on a team is important, but you've got to have the horses to win.