A Quote by Chelsea Handler

I understand that if you're a kid in Indonesia, you need to smoke because you just got off work at the Nike factory. — © Chelsea Handler
I understand that if you're a kid in Indonesia, you need to smoke because you just got off work at the Nike factory.
We don't tell a 17-year-old kid that Nike sucks, because the fact of the matter is, Nike doesn't suck. They're actually very good at what they do.
In respect of Indonesia, I am determined to be the best possible friend of Indonesia that I can be, consistent with my overriding duty to protect our country. We would never do anything that was damaging to Indonesia, because we want Indonesia to flourish. We want Indonesia to take its rightful place as one of the really important countries of the world, as it will, sooner or later.
Sure, they are the future of our world. Nike and Reebok need more factory workers every day.
Nike is Nike. Adidas is Adidas. I've played in their circuits and stuff like that, but now it's a business. You don't want just product. You're not a kid anymore. You're really trying to get bank. That's about it.
I don't write at the library, because I smoke when I work or would like the possibility of a smoke. Also, I need to be at my own desk.
An animal’s memory is not in words, they’ve got to be in pictures – it’s very detailed so let’s say the animal gets afraid of something. Like, for example you beat the dog up and they're looking at you and your Nike shoes or any sneaker or anything like a Nike, he's likely to be afraid of that - so anything without that Nike wingtip, he's likely to be fine. If you think about it, that's a different picture, than a Nike type shoe. Its specific because its sensory based.
Nike Air Max 95's - I wear them almost every day. They're super comfortable. I get a lot of gifts, so I don't really need to shop. But if I had to choose my favourite brand, it would be Nike. Nike is the best.
I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
The law in the United States, in every jurisdiction until about 1876, was that if a factory put smoke into the air, even one day a year, and it got onto a neighbor's property, the neighbor had the right to enjoin to close down the factory, and the courts had no choice but to do that.
You need great actors in this one, because there are moments where there's no way to get around it, you just need to come up with it. They have no time; they can't help you with coaches: "We've got to have it now!" Whether it's tears, whether it's a five-page scene. You can't put it off tomorrow because we're already behind; you've got to have it. I'm just amazed at the casting and how wonderful everybody was.
People always tell me I need to have a kid, and I say, No, I don't. Because I wouldn't have just one kid; I'd have six. I need a huge family. So I just kind of fill my house with tons of rejects and misfits so it feels like I have a bunch of children.
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.
Honestly, it is difficult for me because I cannot return to Indonesia safely. So how am I supposed to make another movie in Indonesia when I cannot safely return to Indonesia?
I'm the kid in school who always, you know, got the straight A's. I got to be that, you know, alpha aggressive work-ethic guy. And to have people assume that I was just this blithe, in-your-face guy writing crap, tossing it off, garnering insane amounts of money, and laughing all the way to the bank - frankly, I guess I got sensitive.
Just because you have kids doesn't mean to say you need time off. I have a lot of time off anyway. If I'm promoting my book, like, for the next two weeks, I'm flat out. But then I'm off again. And when you've got the next product, it's the same; you just condense it into a couple of weeks.
Where do you come up with these zingers, Clint? Do you own some kind of joke factory in Indonesia where you've got eight-year-olds working ninety hours a week to deliver you that kind of top-quality witticism? There are boy bands with more original material.
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