A Quote by Chelsea Handler
People are following me because they want to see pictures of me. So why is Instagram editing them?
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I know so many kids who literally are, like, Instagram-famous. They have done nothing but post pictures on Instagram. And they have followings. People love to see them in person, but it's only because they post on their Instagram. It's literally crazy.
The fact that people look at pictures so tiny on Instagram - people ask me about it popping on Instagram, but I didn't alter myself to be that. I didn't change for the screens, I've just been doing me.
I know so many kids who literally are, like, Instagram-famous. They have done nothing but post pictures on Instagram. And they have followings. People love to see them in person, but it's only because they post on their Instagram. It's literally crazy. Kids will paint a picture of themselves that is so far beyond who they actually are. It's like they're wearing someone else's skin.
I'm way flashier on Instagram and Snapchat because I feel like that's what people want to see, and that's I've always done, so I'm not going to stop. People want to see my cars and my purses. People love fashion. But that's so not me.
I think Instagram made me more aware that there's actually people that care about what we do, and that we have fans. So that kind of showed me that maybe the people that follow me every day, and are commenting on my pictures, would want to wear the dress I've worn.
When I see scarves or shirts, I think: 'Why have they got my name on? They could have Pogba or Rashford or Lingard.' When people ask for pictures, I'll think: 'You don't want one of me, you want one with them.'
I do find Twitter to be more negative than Instagram. Instagram is not so bad. I think it's because of the pictures and see a face where on Twitter people forget we are human beings.
If I'm going to see people, I won't wear heavy makeup. It's not attractive on me. When you see those pictures on my Instagram, they are usually for when I'm doing a photo shoot or an interview.
I have more than 4 million followers on Instagram. All the companies I work for want me to guarantee how much I'll post for them, but I'm not going to force my career onto the people who follow me. I refuse to do 40 Instagram posts about any campaign.
I actually am locked away. I think I have 4.6 million Instagram followers, which is obviously a great way to communicate my work and my life. But it's also a form of protection, because I don't want everybody to see my process. What I want to share in the pictures I post is something dreamier than reality. I love solitude. I love escaping into my mind and sketching. Sometimes I travel alone. I'm the first one at the office in the morning, the last one closing the door. People don't expect that, because on Instagram I have a reputation as a party boy who takes selfies all day.
I think that anybody who's anti-selfie is really just a hater. Because, truthfully, why shouldn't people take pictures of themselves? When I'm on Instagram and I see that somebody took a picture of themselves, I'm like, 'Thank you.' I don't need to see a picture of the sky, the trees, plants. There's only one you.
Some might see me on Instagram or Twitter and think otherwise, but when you really get to know me, I'm a likable guy. So that's why I think that people are drawn to me.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.
I had a bunch of paintings around at my house, and someone said to me, 'Why don't you just put them on Instagram? Why don't you show people these?' And I didn't want to - it was just something else I would have to do. But eventually, I was like, 'What's the harm?' And the response was so insane!
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
Why do people think that it's appropriate to talk to me about my body? Why do men think it's appropriate to literally write comments that not only I will see but that the world will see about my breast size, the clothes I should be taking off, the kinds of things they want to see more of on Instagram, which all refer to my body. And that's not even getting into the threats of violence. And they come every day. They come every day. And it's wild to me that people think this stuff is appropriate.
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