A Quote by Chelsea Handler
If you talk about Lindsay Lohan for four or five days a week, you really can't bear to talk about her on the weekends.
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Lohan and I talk about just things that happen. It's Lindsay. She's great. I went from not knowing who she was to not being able to get rid of her because she's everywhere. She's on everything.
If I were to talk to Lindsay Lohan, I'd encourage her to get the hell out of acting and into something soothing. Take up botany or something.
What's the difference between Lindsay Lohan and Rick Perry? It only takes Lindsay four and a half hours to finish a sentence.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
There has been a lot of talk of the four-day Tests but I like five-days. I don't make the decisions of how it all works out but five-day Tests is what it is all about.
When you talk about a daily soap, it means one would be seen 28 days a month, which requires 30 days of shooting. So an actor being seen on a show airing four days a week and being telecast thrice a day comes along with a baggage of the character.
Well, I don't want to talk too much about my children, but a friend of one of my children, something really terrible happened to her. I just felt like I had to speak about growing up again, because I felt that there's no way I can talk about difficulties of life. I had to talk about possibilities.
When I became majority leader in Washington, I was interviewed constantly. I was always happy to talk to the press, but I drew the line at the Sunday morning talk shows on television. After a full work week consisting of long days and frequent late evenings, I insisted on keeping my weekends free for my family and friends.
In 2007, Lindsay Lohan seemed to be on top of the world, a bona fide star who had her pick of acting gigs. But it wasn't long before the veneer cracked, and Lindsay's life began to shatter.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I talk about jobs. I talk about education. I talk about making government work for people. That's really the dinner-table issues that I hear from Michiganders in every part of our state.
When we talk about total war, and we talk about war zones, and we talk about the breakdown of the cities, when you exclude questions of race from that discourse, something disappears that's really central to the forms of repression that we're talking about.
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