A Quote by Chelsea Wolfe

I'm always excited to make the next album because I definitely get sick of my work the second it gets out there. — © Chelsea Wolfe
I'm always excited to make the next album because I definitely get sick of my work the second it gets out there.
Being independent gives me freedom to creatively be great. Standing on your own doesn't always get major exposure or support, but because I make music from a pure place, I am more so excited and relieved that it actually gets out into the universe.
I was feeling pretty good out there in the middle when I went in, but it was one of those things - sometimes you get a really good ball. If it gets you out you just have to forget about it and make sure you do the hard work out there next time you get in.
It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
I always get excited when I find out there's a sequel, because all the work is kind of done.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
I get bored with things easily. I always have to change something to keep myself excited. When I feel like I did a really good classical and acoustic album, the next thing I want to do is the opposite. And then I want to do the opposite of that. When I work alone after that, I feel like I should work with a lot of people. When I work with a lot of people after that, I feel that I should work alone.
I think, for every artist, the second album is the most terrifying one to put out because it can either boost your career, and everybody can't wait until your third album, or the second one is terrible, and 'He probably hit a plateau on his first one.'
I love doing third albums. A group makes its first album, and then the record company rushes them into the studio to make their second album. After that, they go, 'Whoa, wait a second.' They get a little more confident. They step back and say, 'Okay, now we're gonna do it.'
I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never released it as a single, because then I was like, 'Now that's gonna be my career single.'
When I look at each of my brothers, I see two things. First, I see the next place I want to leave a rosy welt. Second, I see a good man who will always be there, no matter how hard life gets for me or him. Then, I get out of the way because I realize he's coming at me with a wet dish towel.
It's nice that fans want to see me fight. It definitely helps and gets everyone excited. It gets the UFC excited, and they are quick to put me back in there. But I really just focus on myself and getting ready to fight.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
This site uses cookies to ensure you get the best experience. More info...
Got it!