A Quote by Chely Wright

I've learned a lot about my voice, and about things I can do with it. Maybe that's why my sound has become a little more pop. — © Chely Wright
I've learned a lot about my voice, and about things I can do with it. Maybe that's why my sound has become a little more pop.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
I think - I really think my voice has gotten better in the last two or three years. I don't know why. I've been doing a lot of - a lot more lead singing, and everybody tells me that my voice was better than ever and I agree with them. Maybe I've learned to do more with it. I don't know what.
I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.
I've been working in radio on and off for most of my career. There's a restfulness about it. It's more focused on the voice, so you don't have to worry about extraneous things like sound effects, as there's someone there to look after that.
I went to school to learn guitar, solfeggio, and harmony. I wanted to know more about music, how it works. I wanted to take voice lessons, too, and that's when I discovered what I could do with my voice. At the beginning, I thought I would do classical and pop, but then I learned that I really liked the classical music.
The voice is like a man, like ourselves: we all feel melancholic about what we have lost, the things we could do when we were young. But having the possibility to still perform is wonderful. The voice loses elasticity as you age, but on the other hand, maybe you are more mature as an interpreter, maybe your approach to singing deepens.
If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
Lawyers on TV always tell their clients not to say anything. The cops say that thing: 'Anything you say will be used against you.' Self-incrimination. I looked it up. Three-point vocab word. So why does everyone makes such a big hairy deal about me not talking? Maybe I don't want to incriminate myself. Maybe I don't like the sound of my voice. Maybe I don't have anything to say.
I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.
I’ve learned that a storm isn’t always just bad weather, and a fire can be the start of something. I’ve found out that there are a lot more shades of gray in this world than I ever knew about. I’ve learned that sometimes, when you´re afraid but you keep on moving forward, that’s the biggest kind of courage there is. And finally, I’ve learned that life isn’t really about failure and success. It’s about being present, in the moment when big things happen, when everything changes, including myself.
I think when you're dealing with any issues about trying to become a better human being, you have to look at a lot of things about yourself that maybe you don't want to or aren't able to.
I've become a lot more relaxed about my career, but maybe that's a part of growing up. I realise there are things I hold dear and value, aside from professional achievements.
I've become more cause-driven as I've got older. Maybe that's a result of having kids; you become less carefree and more worried about things.
I was wondering if any of my faith was real at all, and I started to let go of a lot of things that I had learned and say, 'Maybe I just need to start over entirely with what I have learned about my faith.' And that's what I did.
It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.
We have this desire for everything to be explained to us. But if you go through your daily actions, very little ends up having a written-down explanation for why things happen, or why people do specific things. So it made sense to me to reflect the human condition that not every action has an explanation. We act, and then later maybe come to an understanding about it, or maybe not.
This site uses cookies to ensure you get the best experience. More info...
Got it!