A Quote by Cheo Hodari Coker

I was just really happy to see Barry [Jenkins] and Mahershala [Ali] and everyone else involved with "Moonlight" get their moment. — © Cheo Hodari Coker
I was just really happy to see Barry [Jenkins] and Mahershala [Ali] and everyone else involved with "Moonlight" get their moment.
I have known Tarell Alvin McCraney for ten years but the involvement with Moonlight came more with Barry Jenkins, the director. He was a fan of the show I did called The Knick. He was also with Plan B Entertainment, who produced Selma. That is how I got involved.
One picture and one win cannot right a million wrongs. It's a step in the right direction.We have to get to a point where a movie like "Moonlight" winning [Oscar] or Barry Jenkins being nominated and winning, you know, for a screenplay or being nominated for best director - that it's just commonplace. They shouldn't be a novelty.
I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.
It [Moonlight movie] deals with drug addiction, drug dealing, and single parenthood, but they are three dimensional characters. You understand where they are from and what they are trying to do with their lives. It is not a stereotype that has been pasted onto somebody. These are stories that come from Barry's [ Jenkins] and Tarell's [Alvin McCraney] mothers.
I wanna be Mahershala Ali in my next life. He's the man. He's a really genuine guy. He's a really great guy, one of my favorite people on this planet.
You know, "Moonlight" deserves best picture [on Oscar]. What I mean by tarnished is the moment - being able to be in front of all your peers and being able to thank everyone involved and particularly when it's a movie that has some pivotal social relevance, like "Moonlight," particularly in a time where, with this new transitional government, LGBT rights are just being stripped. This win means something.
Barry Jenkins was pretty cool.
Barry Jenkins just cast the right people and framed things the right way.
I really appreciate Barry Jenkins as a filmmaker and the fact that he's always wanting to push the envelope and challenge perspective and make people uncomfortable in a way that doesn't seem like it's allowed anymore.
I've been a big fan of Barry Jenkins for a long time.
I'm very grateful to Barry Jenkins, who took a chance on me.
Barry Bonds was like Joe Namath or Muhammad Ali. He could make a statement and go out and back it up. Not a lot of guys can do that. In fact, managers usually cringe when guys make statements about what they're going to do. In Barry's case, I liked it. I think he did it on purpose to motivate himself. In a lot of ways, it's easy for Barry. I think he needs a little controversy around him.
I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
Now get this: I was happy in the moment. As I'm happy, the next moment brings its own rewards. As I'm happy in that moment, it too gives birth to more joy.
But every so often we'll get to this place where everyone in the room is fully focused on what's happening. You see it happens in sports sometimes, when there's a really important moment. It's a great thing when you can get to those places, when you look up you don't see a bunch of phones out.
I am fundamentally happy. Everyone has experiences that makes them cynical, jaded or unhappy - you just have to fight those things off. I have totally emotional days when I cry and get insecure. PMS weirded out, doomed and tragic. I mean, I'm definitely not just a lollipop, happy in the wind girl. I'm human just like everyone else, but I think that it would be tragic to be on your deathbed and think, 'I could've I should've.' That gets me out of bed everyday. I can't even last like an hour in bed in the morning. I have to get out there and live.
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