A Quote by Cheo Hodari Coker
Harlem is filled with moments of history.
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I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.
Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.
When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
Life is filled with small moments that seem prosaic until one has the distance to look back and see the chain of large moments they unleashed.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.
As long as black people preserve their culture in Harlem, Harlem will always be alive.
'Harlem: The Unmaking of a Ghetto' is a surprise and a fresh way of looking at Harlem, connecting the black district with the architecture of its historical past.
The moments that I feel the most imbued with a sense of awe are always the moments when I am outdoors. I can't help but feel a certain sense of wonder - I become almost filled with it.
There are moments in history when brooding tragedy and its dark shadows can be lightened by recalling great moments of the past.
There are moments in history when a door for massive change opens, and great revolutions for good or evil spring up in the vacuum created by these openings. In these divine moments key men and women and even entire generations risk everything to become the hinge of history, the pivotal point that determines which way the door will swing.
The world is a glorious place, and filled with so many unexpected moments that I'd get lumps in my throat, as though I were watching a bride walk down the aisle - moments as eternal and full of love as the lifting of veils, the saying of vows and the moment of the first wedded kiss.
My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.
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