A Quote by Cheo Hodari Coker

The reason I keep making so many musical metaphors with 'Luke Cage' is that I don't view it as much a television show as I do a concept album with dialogue. — © Cheo Hodari Coker
The reason I keep making so many musical metaphors with 'Luke Cage' is that I don't view it as much a television show as I do a concept album with dialogue.
My private joke about 'Luke Cage' is that it's a bulletproof version of 'Lemonade,' and that, essentially, it's a concept album that has a video component.
The thing about Luke Cage that makes him different is - on the surface is he's a hero for hire; Luke Cage wants to get paid. Luke Cage in the comic books is like, 'I'm doing this stuff. It's all well and good, but I gotta make a dollar.'
Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.
Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
'The Wire' is, by far, my favorite television show of all time. And I've always said that my aspirations for 'Luke Cage' was that it would be 'The Wire' of the Marvel television universe.
Honestly, what 'Luke Cage' is - it's a hip-hop Western. And you have Luke Cage as the sheriff of Harlem.
Luke Cage is seen in 'Jessica Jones,' but he doesn't really come into his own until the 'Luke Cage' series. That's when you really see who he is.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
I obviously love those characters ['The Avengers'] with my whole heart. I was on a one-man "Luke Cage is cool" campaign for most of the Aughts. When we announced the New Avengers line-up, and Luke Cage and Spider-Woman were there, a lot of fans went, "WHAT?!?!?! Bulls--t!" And I had to prove myself. They were right: I can't just announce they're cool. What's less cool than that? I have to show that they're cool! But this is way farther than I ever thought it would go.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
'Luke Cage' is a gift. There's so many different ways you can look at it.
I wanted Luke Cage to very much be an African American superhero rather than a superhero that happens to be black. I felt it was important to give him that cultural grounding but also show that it doesn't make him an obtuse or one-sided character.
I'll get a nice little break, after doing Jessica Jones and Luke Cage. Whether I'm in [his show], I don't know, but there's The Defenders.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
The reason why I'm just 'Cage' in Lucha Underground instead of 'Brian Cage' is because DJ, the writer, Chris DeJoseph, we wanted to keep my name the same.
Here's the thing: I come from a filmmaking background, so this concept of sort of overseeing a television show but not directing was, in general, not weird, but I had to get used to what that felt like. My initial instinct was, 'I want to direct as much of this as possible.' But the logistics of making of TV, that's just not possible.
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