A Quote by Cheo Hodari Coker

Our Luke Cage is a black hero, not a hero who happens to be black. — © Cheo Hodari Coker
Our Luke Cage is a black hero, not a hero who happens to be black.
The thing about Luke Cage that makes him different is - on the surface is he's a hero for hire; Luke Cage wants to get paid. Luke Cage in the comic books is like, 'I'm doing this stuff. It's all well and good, but I gotta make a dollar.'
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
The Luke Cage you saw in Season One was a reluctant hero. He was trying to figure out if he wanted to be a hero in the first place. And then fate intervened and forced him to step up his game.
I think anyone in New York City could look at Luke Cage and say, 'Hey, this guy could help me out.' I don't want him to just seem like a relevant hero for only black people.
What makes Luke Cage unique isn't him being black. Yes, he is black, but he has other things.
Dr. Martin Luther King is not a black hero. He is an American hero.
The easy answer is to say that it's a part for black people to see black heroes, but to me it's important to young Mexican kids to see a black hero.
I think the fact that 'Black Lightning,' 'Luke Cage' and 'Black Panther' have each made noise in their own way will only lead to different superheroes and different genres.
Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.
Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.
I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
Jesse Owen was bigger than a black hero, he was an American hero. For me, I looked at it from that perspective. Through my research, I obviously learned a lot, much of which made me sad, upset, disappointed and even angry, regarding what Jesse had to go through. Not only was he a black man in America during an age of high racial tension and segregation, but he was also living in the middle of the Great Depression - it was very difficult times for him and his family.
I wanted Luke Cage to very much be an African American superhero rather than a superhero that happens to be black. I felt it was important to give him that cultural grounding but also show that it doesn't make him an obtuse or one-sided character.
One of the amazing things about Spider-Man is that you don’t see skin colour when he’s in the suit. You don’t see any religious beliefs. A hero is a hero, whether you’re a man, woman, gay, lesbian, straight, black, white or red all over ? it doesn’t matter.
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