A Quote by Cheo Hodari Coker

When you scratch the soul of hip-hop, you find R&B and funk but also reggae. — © Cheo Hodari Coker
When you scratch the soul of hip-hop, you find R&B and funk but also reggae.
My mom used to always play hip-hop around the crib, but moreso than that, she played reggae, and I grew up on reggae music more than I grew up on hip-hop.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I love hip-hop music, ... It's rebel music is how I like to speak about it. Hip-hop and reggae come from the same community as far as class...they both come from the bottom of society.
Hip-hop is limiting itself and that also goes for editorially. Magazines and websites are the gatekeepers of what people think hip-hop is, but they actually end up limiting what hip-hop can be.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
I wake up hip-hop, Go to sleep hip-hop, Dream 'bout hip-hop, 'Cause I AM HIP-HOP.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
Reggae was always a passion of mine. I used to say in interviews that I would love to do a reggae album. But it consumed my life being a hip-hop artist and being Heavy D, which I'm happy and proud of.
There's a need for pop. There's a need for radio. There's also a need to understand the brilliance and the depth of jazz and soul - and what hip-hop can be at its most brilliant and what hip-hop can be at its most simplistic.
There's a Universe Instrument, where we apply Hip-Hop to astronomy, and we flush out the chemistry of Hip-Hop. We also flushed out the astronomy, to see where Hip-Hop is read in the stars.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
Hip Hop was supposed to be this new thing that had no boundaries and was so different to everyday music. As long as it has soul to it, hip hop can live on.
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