A Quote by Cherie Lunghi

I'm lucky to have very good genes. My mother was so tiny she was almost bird-like, and my father was tall and lean. Both lived until their early 80s. — © Cherie Lunghi
I'm lucky to have very good genes. My mother was so tiny she was almost bird-like, and my father was tall and lean. Both lived until their early 80s.
My father's from Australia and my mother was born in India, but she's actually Tibetan. I was born in Katmandu, lived there until I was eight, and then moved to Australia with my mother and father. So yeah, I'm very mixed up, been to many different schools.
I have good genes. My father is Danish and my mother is Irish and Native American. They both have good skin.
I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
A lot of people say that Eleanor Roosevelt wasn't a good mother. And there are two pieces to that story. One is, when they were very young, she was not a good mother. She was an unhappy mother. She was an unhappy wife. She had never known what it was to be a good mother. She didn't have a good mother of her own. And so there's a kind of parenting that doesn't happen.
I was writing from a very, very early age. My father used to write. He died early, and my mother was a schoolteacher, so my academic background from childhood is a strong one, a good one.
My mother has been very instrumental in shaping up my career. Whatever I am today is because of her. Because I didn't have a father, she played both the roles of a mother and a father in my life.
He's just like my father that way-my father just adored my mother and let her do whatever she wanted. John's like that. He's a very rare man, a very good man, and I've had a good life with him. I'm proud to be walking in the wake of Johnny's fame.
My mother, who was in the Resistance in the Second World War, passed away at 96, and it was like she was 60. I almost have to apologise for my genes.
I lived in Nigeria, Chad, and Cameroon when I was very young, until my mother divorced my father.
My mother is white. My biological father is black. When my mother was 17, she got pregnant. They lived in Waterloo, Iowa, which at the time in 1971 was a very segregated society.
My mother worked for more than a decade before marrying. She went to New York City to get a master's degree. And she continued to work as a teacher and a principal until she was forced to retire.Both she and my father instilled in my sister and me a deep love of learning.
I had a very difficult father. I lived in a war zone. My parents were very unhappy, and I lived through my mother's pain. Throughout my childhood, I was constantly trying to protect her from my father.
On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.
My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
I take after my mother more than my father in terms of personality. My mother's a worrier, and I'm a worrier. Both were very good with numbers and mathematics, so I kind of got that from both of them.
Mother liked beauty wherever she found it, and she found it in many different places, both in nature and in contemporary art. And that's where they pretty much parted company. Father... anything that was abstract would to him automatically be not very good.
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