A Quote by Cherie Priest
And people tended not to bother a woman with a book.
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When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
I tended to give a book a chance and another chance and another, sometimes seeing it all the way to the end, still hoping for for it turn out different. Maybe I was confused about what you owed a book. What you owed people, for that matter, real or fictional.
A lot of people that embark on spiritual endeavors tended to, especially in the '60s and '70s, they tended to give up what they had before and cut themselves off from their lives, previous life as it were. But, I don't think that one should do that.
I have to have three or four books going simultaneously. If I'm not impressed in the first 20 pages, I don't bother reading the rest, especially with novels. I'm not a book-club style reader. I'm not looking for life lessons or wanting people to think I'm smart because I'm reading a certain book.
I'm very uncomfortable with the idea of vaginas. They bother me in the way that spiders bother some people.
A man can't pass on, like a mother could, an awareness of your body, or sensuality, or what it means to be a woman. I was never taught what femininity was. I learnt it - or rather I invented it - on my own. I tended not to talk at all, if people were staring at me.
There are always going to be some people who are uncomfortable getting any football information from a woman. And honestly, I know that's supposed to bother me, but it doesn't, really.
I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'
I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on.
Violence doesn't seem to bother people anymore - they're inured to it. And I think it has a lot to do with the violence in movies and video games - it doesn't bother people as much. I'm not so sure it evokes a reaction anymore.
The Hollywood stuff in the book tended to come later. I think it was because I was worried about leading with that stuff. I wanted to try to make sure that the other stories in the book were as interesting. I wanted to spend more time on them and craft them. The thing is, with writing, it's form or content.
Sometimes people who feel powerless, they come to bother their own kids, or they come to bother children.
The BBC has tended over the years to be broadly liberal as opposed to broadly conservative for all sorts of perfectly understandable reasons. The sort of people we've recruited - the best and the brightest - tended to come from universities and backgrounds where they're more likely to hold broadly liberal views than conservative.
In my twenties, my pleasures tended to be physical. In my thirties, my pleasures tended to be intellectual. I can't say which was more exquisite.
I've tended to find that myths of the near future give people the ability to really kind of explore the present, so say for example if look at William Gibson and his book Neuromancer or if you look at J.G. Ballard or Samuel Delaney those are probably three of my favorite writers in that genre.
In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.
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