A Quote by Cherrie Moraga
A writer will write with or without a movement; but at the same time, for Chicano, lesbian, gay and feminist writers-anybody writing against the grain of Anglo misogynist culture-political movements are what have allowed our writing to surface from the secret places in our notebooks into the public sphere.
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The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
In my writing, I want to address all communities, you know. I've spent many years talking about Chicano culture, Chicano history, and at the same time, I've also been in many communities and presented my work in many communities, in many classrooms, and that's where my vision is and my delight is and my heart is.
If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
women's entry into the public sphere can be seen not merely as the result of contemporary economic pressures, the high rate of divorce, or the success of the feminist movement, but rather as a profound evolutionary response to a pervasive cultural crisis. Feminine principles are entering the public realm because we can no longer afford to restrict them to the private domestic sphere, nor allow a public culture obsessed with Warrior values to control human destiny if we are to survive.
A great Chicano forebear of mine in writing is Rolando Hinojosa-Smith. He was writing good border mysteries for Chicano readers back in the '80s and '90s.
All political movements are basically anti-creative - since a political movement is a form of war. "There's no place for impractical dreamers around here," that's what they always say. "Your writing activities will be directed, kindly stop horsing around." "As for the smoking of marijuana, it is the exploitation for the workers." Both favor alcohol and are against pot.
I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.
Write what you care about and understand. Writers should never try to outguess the marketplace in search of a salable idea; the simple truth is that all good books will eventually find a publisher if the writer tries hard enough, and a central secret to writing a good book is to write on that people like you will enjoy.
Movements are not radical. Movements are the American way. A small group of abolitionists writing and speaking eventually led to the end of slavery. A few stirred-up women brought about women's voting. The Populist movement, the Progressive movement, the anti-Vietnam War movement, the women's movement - the examples go on and on of 'little people' getting together and telling the truth about their lives. They made our government act.
Novelists are no more moral or certain than anybody else; we are ideologically adrift, and if we are any good then our writing will live in several places at once. That is both our curse and our charm.
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
The surveillance revelations are critically important because they revealed that our rights are being redefined in secret, by secret courts that were never intended to have that role - without the consent of the public, without even the awareness of the majority of our political representatives.
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
We are searching for the core of our lives; our culture intuits that writing, that ancient activity, might be the pathway...Awakening does not feed ego's needs and desires; it pulverizes the self. Our society couldn't knowingly bear such reduction, so we've tricked ourselves into the same path but call it writing.
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