A Quote by Cherry Jones

As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.
Here we are, worrying about whether we're thin enough or whether our bottom looks too big in this pair of trousers or even whether or not I should wear a hat - does it really matter in comparison to the important things that are going on in the world?
Mom gives me advice every single day, about how I'm not eating regularly enough, not sleeping enough, that I need to look after my skin, I shouldn't colour my hair, my eyebrows are too thin, etc. Most of her advice I discard, especially the thin eyebrows part.
Hey, girls, you're beautiful. Don't look at those stupid magazines with sticklike models. Eat healthy and exercise. That's all. Don't let anyone tell you you're not good enough. You're good enough, you are too good. Love your family with all your heart and listen to it. You are gorgeous, whether you're a size 4 or 14. It doesn't matter what you look like on the outside, as long as you're a good person, as long as you respect others. I know it's been told hundreds of times before, but it's true. Hey, girls, you are beautiful.
In this nation I see tens of millions of its citizens, a substantial part of its whole population, who at this very moment are denied the greater part of what the very lowest standards of today call the necessities of life. I see one third of a nation ill-housed, ill-clad, ill-nourished. The test of our progress is not whether we add more to the abundance of those who have much, it is whether we provide enough for those who have too little.
It is strange how little sharpsightedness women possess; they only notice whether they please, then whether they arouse pity, and finally, whether you look for compassion from them. That is all; come to think of it, it may even be enough, generally speaking.
You want to have the experience. As far as the creative side, the more I do this, the more I know that it's all about the writing. You got on a film sometimes and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not. We're good at saying what other people have written, but for the majority of it, that's about it, comedians aside. It's all in the writing. Whether that's dialogue or character, or whatever, it doesn't matter. As long as they've done something special, than you can do something special.
In foreign affairs we must make up our minds that whether we wish it or not, we are a great people and must play a great part in the world. It is not open to us to choose whether we will play that great part or not.
The United States does not have a choice as to whether or not is will or will not play a great part in the world. Fate has made that choice for us. The only question is whether we will play the part well or badly.
I made a decision that whether or not I was going to make under the national poverty level wasn't going to play a part in whether or not I was an actor. That's what I do.
The one thing I worry about with that is whether or not we're edgy enough for the young kids. You know, does a 20-year-old like the fact that he can play it for his dad? Is that cool?
I'm an actor. I'm hired to play whatever it is they want me to play - if I'm lucky enough to be cast for the part - which seems to take a lot of luck these days.
I'm never critical or judgmental about whether or not a movie is any good. The way I look at it, if several hundred people got together every day for a year or so - a number of then willing to put on heavy makeup, wear clothes that weren't their own and pretend to be people other than themselves - and their whole purpose for doing all this was to entertain me, then I'm not gonna start worrying about whether or not they did a good job. The effort alone was enough to make me happy.
I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.
Practice to look stupid, practice to look like you are not good enough or smart enough where you couldn't do things right and get over it anyway. The truth of the matter is we are all going to feel that way.
I have a secret aspiration to be considered for a part where it doesn't matter what you look like to play it.
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