A Quote by Cheryl Burke

I have two sisters and neither one of them are dancers. — © Cheryl Burke
I have two sisters and neither one of them are dancers.
I thought the two ugly ones were sisters, but they got very insulted when I asked them. You could tell neither one of them wanted to look like the other one, and you couldn't blame them, but it was very amusing anyway.
My sisters and my brother were all very much into music. A couple of them were dancers.
I absolutely love Haim, they are so talented! I adore them because they are 3 sisters and I've two sisters. I think we should be in a family band together too like Haim.
I had two sisters carried away in a chain-gang - one of them left two children. We were always uneasy.
The theme of sisters - of missing sisters, of needing sisters, the special love that sisters share or the antagonism sisters share - is something that is very close to me.
For 'Chicago,' the dancers need to demonstrate an affinity for the Fosse style. Sometimes dancers come in with brilliant technique, but if the Fosse style isn't easy for them, or it's awkward for them, they won't be right for this show.
We are sisters. We will always be sisters. Our differences may never go away, but neither, for me, will our song.
'The Sisters Brothers' started out as a little bit of dialogue between these two men who became Eli and Charlie Sisters.
Some dancers dream about successful careers...and some dancers wake up and do the hard work that's necessary to achieve them.
I would love for dancers to be treated better and for dancers to have support, for dancers to have managers, agents. This is the only art form that does not have a proper support system.
It was always said you couldn't have two sisters less alike. In a way [princess] Elizabeth was always internalizing everything and [princess] Margaret was always externalizing everything, so that became the basis. The storyline becomes about these two sisters: they're fighting for their position or trying to establish their identity in the world alongside each other and in relation to this establishment which only those two were a part of.
I was raised by women. I have my parents, but I have two older sisters and I would learn from them about what is a female and what is a girl and what is an adolescent and what is a young woman and I was very close to them.
Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
The Royal Ballet is the best paid company, but the dancers get nothing. The stage crew get paid three times more than the dancers, and they have a job for life - dancers only have 10 years.
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
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