A Quote by Cheryl Rainfield

You can see when someone's been hurt the way I was. It's obvious. Something changes in their eyes; pain becomes their center, even when they try to hide it. — © Cheryl Rainfield
You can see when someone's been hurt the way I was. It's obvious. Something changes in their eyes; pain becomes their center, even when they try to hide it.
Staring into the mirror, I was surprised to see a haunted look in my brown eyes. There was pain there, pain and loss that even the nicest dress and makeup couldn't hide.
Pain is meant to wake us up. People try to hide their pain. But they're wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain.
Everybody's a train wreck in their own very special way. But there's something wildly freeing about someone who's unapologetic, who knows they're a wreck and doesn't even try to hide it, just bulldozes through life.
I hate that she's hurt. I hate that she's been hurt, by me and by others, throughout the entire arc of her life. I barely remember pain, but when I see it in her I feel it in myself, in disproportionate measure. it creeps into my eyes, stinging, burning.
You've been hurt before, I can see it in your eyes. You try to smile it away, some things you can't disguise.
Philosophical progress changes what we take to be "intuitively" obvious, and this change covers up the tracks of the laborious arguments that preceded the changes. We don't see these changes, because we see with them.
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent.
The reason for teaching history is not that it changes society, but that it changes pupils; it changes what they see in the world, and how they see it.... To say someone has learnt history is to say something very wide ranging about the way in which he or she is likely to make sense of the world. History offers a way of seeing almost any substantive issue in human affairs, subject to certain procedures and standards, whatever feelings one may have.
Death is someone you see very clearly with eyes in the center of your heart: eyes that see not by reacting to light, but by reacting to a kind of a chill from within the marrow of your own life.
It was Adam, but he was too late. He couldn’t love me anymore. He would be so angry with me. I had to hide. He didn’t love me so he might hurt me when he was angry. When he calmed down, that would hurt him. I didn’t want him hurting because of me. There was nowhere for a person to hide. So I wouldn’t be a person. My eyes fell on the shelves that lined the far back corner. A coyote could hide there.
If you see someone being hurt, if you see someone being harmed, and if you see someone that's not in a safe position, you need to definitely say something.
But I’ll never see anyone else, Bella. I only see you. Even when I close my eyes and try to see something else. Ask Quil or Embry. It drives them all crazy
When we resent someone in some way we need to "be on the alert" that even innocent gestures on their part can become suspect to us. Even something as simple as their walking into a room or whispering something to someone else can be conjured up in our minds, to look to us as if they're doing it on purpose to irritate us -as if they're involved in some diabolical plot to hurt us further. What they may be doing may have no connection to their past actions that hurt us in the first place but our resentful feelings against them can often taint our perception of what's really taking place.
If we can write or sing or create in some way, even when we are dealing with difficulties or pain, then it becomes something bigger than ourselves — and often beautiful.
Even if you've written something for print, I think it's good to try [it] out on someone because it changes. You can think it's hilarious and they can tell you it's not.
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