A Quote by Cheryl Rainfield
I think you've got to get out whatever's hurting you through your art, so it doesn't twist you up inside.
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The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.
When you start moving into the internal stuff, you start learning how you don't get your power from your muscles. You open up the energy channels inside your body and you shoot something through them and all of a sudden, you've got many times the power you could get physically, or even if you don't, some other things. To get this power to come from inside you, this chi, this energy from inside you, you have to learn how to completely relax.
If you've got love in your heart, whatever you do from that moment out is likely to be right. If you've got that one true note ringing inside you, then whatever you do is going to be OK.
I realized that whatever your path, whatever your calling, the most damaging thing you can do is let other voices define you and drown out your own. You've got to block them out and find that place deep inside you, shaken but still intact, and hold on to it.
When you're walking through the darkness, you can't depend on anything or anyone else to light your way. You have to rely on whatever sparks you've got inside you. Or you're going to get lost.
Find your own style, whatever it is. Whatever is inside you, bring that out. I think that's when you have something unique.
One wants to think that - and this is really a stupid thought - that through your art or whatever you do as an actor you can actually affect someone else's lives and thoughts or whatever.
You've got to get out of the car, take the keys around, open up the trunk lid, hand the keys to the Lord Jesus, get inside the trunk, slam the lid down, whisper through the keyhole, 'Lord look, fill'r up with anything you want and you drive, it's up to you from now on.'
Even in a comedy, you have to make people feel. You have to put your hand inside their soul and twist out their heart.
I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.
I go to practice each and every day, but my intensity is not the same. If I get tired, I'll go sit down. If I want some water, I'll go drink it. When I'm in training camp, I don't. I've got to push through being tired. I've got to push through being uncomfortable. That's really it. It's largely a mentality. You kind of flip that switch and turn your intensity up. Your heart rate goes up. Your reps go up. And you start to get in the frame of mind.
Letting go, it's so hard The way it's hurting now To get this love untied So tough to stay with this thing 'cos if I follow through I face what I denied I'll get those hooks out of me And I'll take out the hooks that I sunk deep in your side Kill that fear of emptiness, that loneliness I hide.
I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.
I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.
I don't think any songwriter who comes up through playing clubs can really claim to have independently developed their art. All along the way so much information is coming, the writer inside the performer unconsciously reacts to all of that. By the time they get to be thirty, the writer is gone.
When you're hurting another person, past a certain point you're cracking them open and whatever's inside them gets all over you. So you should kinda check out whether you want that to happen.
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