A Quote by Cheryl Richardson

If you eliminate what no longer works, you illuminate what does. — © Cheryl Richardson
If you eliminate what no longer works, you illuminate what does.
Grace stands in direct opposition to any supposed worthiness on our part. To say it another way: Grace and works are mutually exclusive. As Paul said in Romans 11:6, "And if by grace, then it is no longer by works; if it were, grace would no longer be grace." Our relationship with God is based on either works or grace. There is never a works-plus-grace relationship with Him.
You know, in a workplace, when you shrink the size of a workforce, there is pain there. But there is no question: we have a government that we can no longer afford. That is the cold, hard fact. So we have to make this more efficient. We have to sunset programs that no longer work. We have to eliminate waste and fraud. We must do this.
You know, in a workplace, when you shrink the size of a workforce, there is pain there. But there is no question: we have a government that we can no longer afford.That is the cold, hard fact. So we have to make this more efficient. We have to sunset programs that no longer work. We have to eliminate waste and fraud. We must do this.
Our job, you know, in the entertainment profession is to try to illuminate and show people all sides of humanity, and it doesn't just mean that you can only do movies that are only about the good parts of us. You have to be able to eliminate the bad parts.
Time to eliminate things that no longer evolve me.
The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.
Every song in 'Groundhog Day' works to forward the story in a chronological, narrative sense, to illuminate the state of mind of the person singing it and comment on the world.
You can eliminate color and still have a painting that works, but you must have drawing, value and design.
Mutually Assured Destruction, MAD, works only as long as it works; it does not know what to do if deterrence fails, for it envisions no defensive capabilities. A deterrent works until it is needed; then one needs defenses.
Philosophy which does not help to illuminate the process of the liberation of the oppressed should be rejected.
The sun of quality does not revolve around the subjects and objects of our existence. It does not just passively illuminate them. It is not subordinate to them in any way. It has CREATED them. They are subordinate to IT.
At last, Mythic feeling and conscious perception no longer confront each other as antagonists but as allies. Passionate nationalism is no longer directed toward tribal, dynastic or theological loyalties, but toward that primal substance, the racially based nationhood itself. Here is the message which will one day melt away all dross, eliminate all that is base, and bring into being all that is noble.
Married men live longer. Yes. And an indoor cat also lives longer. It's a furball with a broken spirit, that can only look out on a world it can never enjoy. But it does technically live longer.
I know that plenty of folks have issues with Social Security, but I'd urge them to confront it on its own terms. Calling it a Ponzi scheme is misleading and does more to cloud the issue than it does to illuminate it. And yes, I do know that unless changes are made, the current system is unsustainable. But that doesn't mean it's fraud.
I find it fascinating that Paul [the apostol], writing to the Galatians, responds to the question, "What does it mean to live in Christ?" by saying, "There is no longer Jew or Greek, there is no longer slave or free, there is no longer male and female; for you are all one in Christ Jesus."
Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
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