A Quote by Cheryl Strayed

I could go back in the direction I had come from, or I could go forward in the direction I intended to go. — © Cheryl Strayed
I could go back in the direction I had come from, or I could go forward in the direction I intended to go.
I think the future of China's unknown, I don't know what direction it's going to go in. It could go in the right direction, it could. It could go in a very bad direction, too.
I felt myself trapped in line for a ride I was not nearly ready for, looking back but moving forward in the only direction I could go.
One of my superstitions had always been when I started to go anywhere or do anything, not to turn back, or stop until the thing intended was accomplished. I have frequently started to go places where I had never been and to which I did not know the way, depending upon making inquiries on the road, and if I got past the place without knowing it, instead of turning back, I would go until a road was found turning in the right direction, take that, and come in by the other side.
The problem is whether we are determined to go in the direction of compassion or not. If we are, then can we reduce the suffering to a minimum? If I lose my direction, I have to look for the North Star, and I go to the north. That does not mean I expect to arrive at the North Star. I just want to go in that direction.
Wrestling is a never-ending storybook, so sometimes you start going one direction, but the beauty of it is we could go in whatever direction we want, but things just changed.
My grandmother had the most dramatic effect on my life because she set me in one direction, and I had to go back the other direction for my sanity, and for my ability to be a social human being.
When the ball was hit, my first reaction as a shortstop was always go in the direction of the ball. You can't do that at first base. You go too far in that direction, and it's hard to scurry back and be ready to pick the throw.
It's better to go slowly in the right direction than go speeding off in the wrong direction.
My career has always kind of moved forward and upward. I've never had anything kind of stall out or go in the opposite direction. I've always kind of been moving in the right direction.
All direction is but re-direction; it shifts the activities already going on into another channel. Unless one is cognizant of the energies which are already in operation, one's attempts at direction will almost surely go amiss.
I'm drawn more to quality, and so if the quality is in television, I go in that direction. If it's in film, I go in that direction. But I don't limit myself or discriminate against any of the mediums.
A company can set off in one direction, figures out that it's not the right way to go, and then go in an entirely new direction. Over time, the product or service improves, and the company gets better at executing and delivering.
If you cry ''Forward'' you must be sure to make clear the direction in which to go. Don't you see that if you fail to do that and simply call out the word to a monk and a revolutionary, they will go in precisely opposite directions?
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
It's one of those things, when you look back on it, you'd go, "Oh, I could've done without that. If I could go back in time, I would do it different." That's the thing with violence in general.
You could go to New York City, you could go to LA, you could go to the highest class studios in the world, they'll have all the bells and whistles, but it's not going to make your record any better.
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