A Quote by Cheryl Strayed

I was trying to find a new home in the world. — © Cheryl Strayed
I was trying to find a new home in the world.
I'm working on new techniques. I'm trying to find a way to make fresco that can be detached from a wall, and I'm trying to find new people who can help me work on a very large scale in bronze.
I feel more meditative when I don't have a home. I like being put into a new place and making friends with people from a different culture, trying to find the lines of communication. It's a lot of reflection of myself and seeing new scenery.
This #MeToo world, it's not new. None of us believe it's new. It's exciting that we find ourselves with a hashtag and a movement, but in general, none of these stories are new; it's just there's an audience now, and everybody's interested in trying to be responsible about this.
I wouldn't say I'm changing myself to find a new audience. It's about growing, trying new things. There's a whole other world out there that doesn't know who Prince Royce is.
One's home is like a delicious piece of pie you order in a restaurant on a country road one cozy evening - the best piece of pie you have ever eaten in your life - and can never find again. After you leave home, you may find yourself feeling homesick, even if you have a new home that has nicer wallpaper and a more efficient dishwasher than the home in which you grew up.
I'm trying to find a home that I can come home to, and there's no stress or pressure to be scared to be in your own house.
I'm going to show you the real New York - witty, smart, and international - like any metropolis. Tell me this: where in Europe can you find old Hungary, old Russia, old France, old Italy? In Europe you're trying to copy America, you're almost American. But here you'll find Europeans who immigrated a hundred years ago - and we haven't spoiled them. Oh, Gio! You must see why I love New York. Because the whole world's in New York.
A new world is not made simply by trying to forget the old. A new world is made with a new spirit, with new values. Our world may have begun that way, but today it is caricature. Our world is a world of things. What we dread most, in the face of the impending debacle, is that we shall be obliged to give up our gewgaws, our gadgets, all the little comforts that have made us so uncomfortable. We are not peaceful souls; we are smug, timid, queasy and quaky.
The odyssey is not going out and seeing the world: it's about trying to get home. It's home to the woman you love.
An 'Islamic economy' or 'Islamic finance' doesn't mean anything to me. But I do think that in the multi-polar world, it is time to find new partners, to find a new balance in the economic order. And this could help you to find an alternative way forward.
If the world is saved, it will not be by old minds with new programs but by new minds with no programs at all. Why not new minds with new programs? Because where you find people working on programs, you don't find new minds, you find old ones. Programs and old minds go together like buggy whips and buggies.
I'm trying to find new ways to entertain myself because, if my whole world is doing interviews, I might as well put them in places I've wanted to see.
I always try to think about what I can do to let people know that I'm just like everyone else. I have two girls here at home I'm trying to raise. I'm trying to be a good stepmom. I'm trying to stay fit and be a good model and break ground in the acting world. I'm working that same struggle every other woman is trying to work.
We always had a lot of admiration for feminists who were out there trying to change things for the better for women, who were trying to find equality in the workplace and at home.
I was home-schooled. My mom wasn't a fan of public school systems. She was scared of letting me go. So, she home-schooled my siblings and I, and she was desperately trying to find something for me to do, for an extracurricular. She was trying to socialize me, so she put me in community theater and I was instantly taken by it.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
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