A Quote by Cheryl Strayed

I taught workshops at universities. I wrote for magazines. This took time and insane amounts of juggling, but it's how I earned a living. — © Cheryl Strayed
I taught workshops at universities. I wrote for magazines. This took time and insane amounts of juggling, but it's how I earned a living.
Universities are renowned for their tolerance of unusual characters, especially if they show originality and dedication to their research. I have often made the comment that not only are universities a 'cathedral' for worship of knowledge, they are also 'sheltered workshops' for the socially challenged.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
My grandmother taught me how to read, very early, but she taught me to read just the way she taught herself how to read - she read words rather than syllables. And as a result of that, when I entered school, it took me a long time to learn how to write.
I've taught a college journalism course at two universities where my students taught me more than I did them about how political news is consumed.
At writing workshops, they taught us to show, not tell - well, showing takes time.
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
At 24, I took time off to have a baby, and ever since, I have been juggling modelling with motherhood.
The greatest form of maturity is at harvest time. This is when we must learn how to reap without complaint if the amounts are small and how to reap without apology if the amounts are big.
Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.
I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines.
I took a lot from that Ronda fight. What that taught me was one - just how to manage my time.
I think what drove me insane for a long time is feeling like I hadn't earned most of what I achieved because it came so fast.
I also liked it when professors assigned us stories that they love. In general, I liked workshops more when they were more than just a workshop, when the professor took the time to actually guide us as young writers and teach us things it took them a long time to figure out on their own. I could probably write ten pages on this question.
I had people in my life who were insane and negative, but they taught me how not to be, how I didn't want to end up.
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
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