A Quote by Chesney Hawkes

I've worked with the company - James Dean Events - on several occasions and their festivals have always been really successful and well run. I've even got to know the people that own the land. It's always a really warm crowd and a real community spirit.
Tomorrow always arrives. It is always different. And even the mightiest company is in trouble if it has not worked on the future. Being surprised by what happens is a risk that even the largest and richest company cannot afford, and even the smallest business need not run.
I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever.
I find that working with friends is always the goal, even if its just one person. Because the comedy community is kind of insular, its easy to run into people youve worked with, even if you worked with someone on something for a day, or whatever.
People have said, 'Why don't you make your own company like Chan-wook Park has his own company,' but my head is full of writing and directing and I don't feel like I want to run a company. That's not really within my personality as well.
If you ever dissect '205,' take a hard look at it, it's always been a fantastic show. Regardless of what's been going on, the wrestling has been the best not only in the company but on the planet. The only critique, if you really dissect it, is that the crowd isn't into it; the crowd doesn't care.
I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.
Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
About half the people at Valve have run their own companies, so they always have the option not just to take a job at another game company, but to go start their own company. The question you always have to answer is, 'How are we making these people more valuable than they would be elsewhere?'
I was really, really lucky because I have always worked. It hasn't always been consistent, but I have always worked.
I think any film that is based on life or real events you want it to be accurate but what really matters is that it's truthful. That is not always the same thing. You really want to convey the spirit of the enterprise rather than ticking every single factual box.
Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.
I run an independent company, Knockout Entertainment. We've always come out with records that had a concept that impacted really, really, really hard.
Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.
The first time I met James Franco, he was dressed like James Dean. He was James Dean, literally, filming a biopic.
Growing up, I always wanted to be in punk bands, so I'm really enjoying the harder, heavier element. It's always been my dream to have people moshing at my gig, kind of that really feral element of the music coming out more. I love crowd-surfing.
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